Writing good Science FictionGood Science Fiction Writing
3 golden rules of writing a science fiction book
SciFi is one of the most famous and culturally influential literary styles. So, what is it about sci-fi fiction that the reader loves so much, and how can writers use this know-how to make their own sci-fi champions? Invite someone to turn a work of science fiction upside down, and there' s a good chance they will say Star Wars.
It' got spaceships, extraterrestrials, bots, futuristic invention. Most science fiction authors have a different opinion and claim that the movies are part of the fantastic world. Fiction is just that, fiction about science. Science could be fictional, and it could be from any strip: politics, ecology and social science, electronic, or the guy with cups and sceletons. But all sci-fi is about a key issue that raises a more profound question: "What if?
This is why many celebrity sci-fi authors do not like the name of the discipline but prefer "speculative fiction". The scientist-fi asks a fictitious question, it is a fictitious investigation of a key theorem. This hypothesis is used to investigate how we defined emotions and memories and how we understood what it means to be people.
H. G. Wells is the forefather of science fiction, with titles such as The Time Machine and The War of the Worlds. However, the films in this series are not based on this kind of theses. This is a tale by a (Jedi) chevalier in search of a queen. It may be a starship, the battling battles with lightsabers, but the futurist technique is never used as a camera to explore our own worlds.
That doesn't mean that the imagination can't annotate the situation, or that it's not a viable kind of music that has much to provide, but it does it in a completely different way than sci-fi. As impressing as the esthetic characteristics of a robot or alien may be, a phantasy tale does not become science fiction.
Against this background, the first gold standard for writing sci-fi is: "Know your thesis". That' good, but it's likely that you're writing fantasies in outer outercity. This ever-changing notion of the relation between the two breeds provides criticism after criticism of the contemporary age. So, what's the point of your life?
Attempt to take the'science' of sci-fi as an angle and not as a theme. You can use your own environment as a case story, almost an experience that will show your point to the readers. Obviously, storytelling is more than one thing, but to keep your theory at the heart of the matter has many advantages when writing sci-fi.
The knowledge of the meaning of your fictitious universe will stop any inconsistency. Opinions about conversation, clothing, behaviour and reading are dispersed everywhere and give the readers the feeling of a completely coherent universe. Whenever you look for detail about your worlds or your character, remember how they would behave in a real life situation that' s about that.
It uses womens basicist religion and the story of enslavement and conflict to create a reality based on a true sense of misogynism. Your theory is: "What if we hit extraterrestrials in the 1950s" or "What if we all went numb over night?
you can research to find out how similar past events have gone. Be it alien invasion or mutant plant species, as in John Wyndham's Day of the Triffids, we have notes of undercupation. It' the detail that sells sci-fi. You make the whole thing seem realistic and confirm your theory by making the whole thing sound the same.
However weird your extraterrestrials, creatures or other creatures may be, there are realities just wait for you to find them. The sci-fi asks big and knows what it's about. It is perhaps the most courageous of genres, which not only keeps pace with its audiences or periods, but also predicts the futuropath.
It is therefore important to ask what is new about your history. Will it be the universe you create, your place in history, your own sound? Every tale may be already narrated, but every single working days there are new ways to investigate the man. It is a sorry reality of sci-fi that the exaggerations of the past are the reality of today.
Shelley' s Frankenstein (often described as the first sci-fi novel) examines the concept of making abnormal lives from a Victorian point of view and has many interesting and insightful views, but Kazuo Ishiguro's Never Let Me Go is based on the view of a novelist who not only theorizes about the subject of copying, but lives in a realm where it has already happened.
Is there anything new or special about your question? Although it is just a new way of presenting your theories to the public, that is enough, but the identification of what you bring to the debate will help you put the spotlight in the right places. Ski-Fi is often the first excursion into new horizons.
Though we are exploring the possibilities of true AI, we already have huge archives of the resulting ethical dilemmas, and writing about astronautics has outlived the true experiments of time. SciFi audiences are one with high hopes, and when you realize what they are expecting and why it works, they are the most dedicated supporters an author could ask for.
It can be unbelievably difficult to write other worldly or social situations, especially when it comes to putting aside one's own experience and prejudices. If you have some advices for writing the aliens, try our Are You Writing Unbelievable Non-Human Characters? piece. Or, for hints on how to create a credible environment, try You're Making A Mistake In Your Word Building:
You are a sci-fi enthusiast or a sci-fi-skeptic? Which was your first sci-fi history and how did it affect your worldview?