Write this Book

Please write this book

An imaginative companion to the New York Times bestseller Secret Series, it teases, challenges and guides the reader through the steps of writing a story. I'll tell you how to write a book. Finished books are given to children in hospitals. My friends would tell me I'm doing enough, wondering why I need to write another book or tell me to relax more. Here is a brief overview of how I write a book that can be quite different from many other authors and is different from how you would like to work yourself.

No one on the web should be writing a textbook - Quartz

While it seems inspirational and democratic, the reality is that this little self-help on the web has not only absorbed tens of millions of hours of otherwise prolific people's lives, but has swamped the whole wide globe with shitty textbooks. I don't think you should be writing a novel. You shouldn't be paying anyone to send one for you either.

Don't you have a big admirer who cries out for an inspiration you don't have? You can still be the writer. You only need to attend this course, come to this course, buy this pack or - in the case of conventional publishing houses - subscribe to this dashed line and make this progress. In the opinion of the businesses offering these outsourcing products, a textbook is "THE unjust professional benefit", as they announce on their website.

They provide "a nice product for a small charge, competing with the excellence of any books on the front tables of large bookshops with less than 24h of your time". "A self-published "school" gladly reminds prospective clients that authorship "gives a touch of authoritativeness to their work.

Now you can add'Author' to your CV, LinkedIn and your website. "If just to include "author" is not enough, some even provide a guarantee of "bestseller" state. When $3,250 to buy the song is soaring, just remember: "You'll be a bestselling writer forever" - a day that opens the door to you.

Traditionally, the agent looks for everyone with a plattform and asks them to think about a work. It also toyed with the lust of editors who are forgetting that the whole business, through backlisting magazines that the reader actually loves and thinks their mission is to hunt down the passing fashion of the minute to give the fidgety fidgets and glory ball of the minute bookstores.

None of these guys have to spell these things out, of course. General statistics in the publishers sector is that more than half of the non-fiction on the New York Times List every weekly involves a ghostwriter in some way. In the center of the plot is a tempting falsehood that, to para-phrase the writer and writer Austin Kleon, can be the substantive without doing the verse.

You can be a novelist without having to write that you can be an authority in name and rank without feeling pain or sacrifice. It'?s all about having a good one. But on the other side of this lies, many are willing to join in. Rather than earning a fame through their real achievements, they see a notebook as an abbreviation to get there.

Since millennia of history, literature has been an invaluable source of knowledge and competence - that is why it is so much appreciated by the general population. The writers are important, effective or sly. The book "lends authoritativeness. If I can only have'Author' on my Wikipedia page, I' think one of the actors thinks,'People will at last start to show me mutual respect. It'.

The fact that this devaluates the book, makes it too little more than visiting card or the equivalent of photographs with celebs. It' interesting how many are willing to do this, many of them are intelligent persons who would never do a deal with anyone because that individual has a picture of Bono hung on the walls.

But the same individuals who are always looking for "voluptuaries" or poseurs in their own line of work cannot see that they are being forced to do just that. I' m not saying that there is no use in just making a script and that you can't have any help. I' ve written six volumes (many of which were truly sustainable best sellers - what the sector calls multi-year salespeople) and they have had a tremendous influence on my professional life and my work.

I also have an amazing history of success in the development, co-writing and commercialization of large volumes that have made great progress and are selling well. However, I tell the overwhelming bulk of those who think about doing a work that they shouldn't do it - even though I could very well benefit from urging them to do it because I know how difficult it is to do it right.

One of the reasons for the huge amount of work that has to be done is that the online marketer or order picker says that it' s exactly there for order pickers is actually quite seldom. If a would-be writer is already looking for acronyms, he will definitely not find the reward he is looking for in a book.

Lots of folks want to be professionals. Similarly, there is only one thing that is enough to make a great book: you have something important to say and you can't say it. Cyril Connolly would say: "The more textbooks we are reading, the more it becomes clear that the real role of a author is to create a work of art, and that no other role is important.

" Can' you call to make a great work? They would never go to another projekt, as many of these would-be writers were encourage to look at them. If I said that every writer should set up a business - that it would be good for his brand - what would you tell me?

Carrying a full-featured volume out into the wider public, but "not to concentrate on selling books". "but don't concentrate on getting in form. Be wise when investing, but do not concentrate on the return. Set up a business, but don't concentrate on the client. I' m telling them that they don't publish them because they are important, and we should be desperate for a worid full of thousand of smug, posing textbooks that are nothing more than advertisements and an ineffectual means to an illusion.

When you can buy a boxed copy of a textbook, anyone can). It is also important and useful to have the experience and knowledge of other human beings. You would do well to ask yourself whether you are making a work of art or whether you are just helping to "create a store full of forgotten works of art made by rental companies"?

Oh, I loved my readings. I' m thankful for what they have done for me as readers, writers and entrepreneurs. And I know how many have come there by having read, I know that they also loved literature and all the knowledge in them. If you can't or don't want to, you won't have to bother yourself, your company and the whole wide globe.

Don't make a notebook. Find out how to spell for Quartz Ideas.

Mehr zum Thema