What to do when Writing a BookHow do I write a book?
Writing a prologue
Are prologues the right thing for your book? So you have your book written and can not find out where to go with the necessary information. While a prolog can be a useful instrument in the creation of your novel, it can also be detrimental to history if used improperly. The prolog explains the prolog and helps you decide if you should use one.
A prolog? What is a prolog? Use a prolog to give the reader additional information to advance the action. History backgrounds. It can be useful, for example, to record a science fiction book describing the strange realm, perhaps in a scenery that shows its essence and operation, so as not to distract the reader by throwing him into a totally strange realm in the first section (and then having to tell him or have him lose, which can result in disinterest).
Attract readers' interest with a sequence from the tale. He was able to select an interesting sequence from the centre of the book to encourage the reader to continue on. A description of a past scenery that is important to the storyline, such as a fire in which the protagonist's dad is murdered, which is the motivating factor for the plot in the novel.
History is in the first man, and the prolog is in the third. It concentrates on a mystery of one of the protagonists (which the protagonist would not know and which the writer could not tell the readers from the first person's perspective).
An example is the one about the lead figure who is in the 1980s and remembers her infancy in which the tale is set (and which begins in section 1). Well, why shouldn't I do a prolog? For all these reason for a prolog, you may wonder what the disadvantage is.
By including too much knowledge about Dal's home country, the wildlife and the subtleties of society's habits on the parent planets, you can turn off the reader. Too folks are admitting to skip the prolog on a regular basis, so if you trap a substantial part of the tale here, your readers may not be able to get it, which could cause disorder down the line.
The primary pre-requisite for not writing a prolog is, however, that in most cases they are just not necessary. The introduction to the basic elements of a novel, incl. story/backstory, different points in times, attention-grabbing actions and characterisation can be carried out in the novel's corpore. As a general guideline, you should prevent a Prolog due to your inconvenience.
Do you wonder: Does this suit in section 1? Does that matter for the story? The writing of a prolog, just like the writing processes in general, differs depending on the person. Many people find it best to start writing the prolog after most of the novel has been composed, especially when there is an important story that cannot be included elsewhere.
Some use prolog writing as part of their pre-writing processes to determine the sound, speech and styles of the narrative. At the beginning, at the end or somewhere in between, there are some basic rules to follow. They want to get the literal catch in immediately, so that the reader wants to continue to read.
Don't think, because you have a check mark in the prolog that you don't have to have one in the first part. Consider the prolog as an independent unit. It is a good general principle that it should have all the elements of a brief storyline except that no conflicts are solved.
They don't want the foreword to go over halfway through the book. This was supposed to be an intro to the storyline. Maintain consistency of language/sound within the log, i.e. if it is a Charleston enigma, do not use a funny speech combined with a dull, historic retelling of the times.
Don't do too much dumping on the reader at the beginning. When you can't decide what to do, see other authors' citations. Prolog, if used efficiently, can improve the storyline and promote your action in a highly imaginative way; however, if used inefficiently, it can deter people. When you need help with your prolog or even your entire novel, consult our book-reporters.