What to do after you Write a BookAfter you write a book, what can you do?
After you have finished the first design, what do you do?
When you surf the web, you are talking about creating a second design and then a third and so on and so on, which is confusing me. Are most writers rewriting entire parts of the text in different designs, or do they only refer to the correction of grammatical errors, phrase structures, misspellings, chapter order, etc.?
But I don't think I'll be changing my first design much (I don't think I'll be rewriting an entire sequence and my sequences are quite brief - usually a little less than a thousand words). I' m concerned because I did the initial design without looking back, so that I can finish it as soon as possible instead of just typing it.
Conclusion: What exactly does the editorial processes involve? Besides, how long does it take for the ordinary author? When I let my design get dusty for a while, I waste my holiday. What should I do? The amount of revisions you need to make will depend on your particular skill and method of typing and the final product of your first design.
However, I can say that those who can create a great script in a design that only requires a spelling checker are unbelievably seldom. Plotter (people who schedule their book in detail before they begin writing) often need to make fewer corrections because they solve many action issues in the design phase.
Some authors specialise in doing poor first sketches without premeditation and then make a major reworking for the second one. The review procedure lasts so long for most individuals, if not longer than letter. In the course of a few years, some folks have to paraphrase a few dozens of books to make it right.
Others may take several month to complete the procedure. Writing your text quickly could be a good or bad thing. Leave the script aside for a while so that you can read it later with clean English language skills. Preparing a second design. If you are really satisfied with the script, show it to some folks whose judgment you have faith in.
Well, if the book's in trouble, it's better if your buddies find it than an operative. They could try to join a group of authors who give feedbacks on each other's work. Make sure that your stories don't upset you or move you in an emotional way. Wrongest thing is when folks aren't thrilled about it.
Your script should never bore you. They should be able to see it a dozen different ways and they should always experience emotional movement. Most authors find the review procedure simpler and more enjoyable than drafting a first one. If you think that your script is the best it can be, then you are willing to come close to the coaches.
When you are fortunate enough to be selling the product, you can await further revision as you work with your editors, proofreaders, etc.