What is Poetry

Who is poetry?

I. Maybe we know what a thing is, but we have trouble defining it. This applies to poetry just as much as it does to love or electricity. Poetic, literary that evokes a concentrated, imaginative awareness of experience or a specific emotional reaction through a language selected and arranged according to meaning, sound and rhythm. Poetic (the term derives from a variant of the Greek term, poiesis, "making") is a form of literature that uses the aesthetic and rhythmic qualities of language - such as phonetics, sound symbolism and meter - to evoke meanings in addition to or instead of the prosaic apparent meaning.

Poetics is literature in meter form.

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Poetic (ancient Greek: ????? (poieo) = I create) is an artistic genre in which man's speech is used additionally or instead of its fictitious and semiantic conten. For the most part, it is made up of verbal or written works in which the use of the text differs from the usual text for the reader and the auditor.

The effect of poetry on images, words and the music of the spoken words is often relied upon. It is the interactivity of all these phenomena to create meaningful results that distinguishes poetry. Poetry is hard to understand from one to another because of its way of emphasizing the verbal shape rather than using the speech only for its content: a possible exemption could be the Hebrew psalms, where it is more in the harmony of the idea than in the particular vab.

The most important things in most poems are the connections and "luggage" that words have. It can be hard to understand these shadings and meanings and lead to different listeners "hearing" a certain work of poetry differently. Poetics can usually be distinguished from poetry, a form of speech intended to communicate significance in a broader and less concentrated way, often using more comprehensive logic or story telling than poetry.

That does not necessarily mean that poetry is inconsequential, but that poetry often arises out of the need to flee the logic and express emotions and other phrases in a narrow, concentrated way. Another of the complications is that the poetry of prophecy connects the qualities of poetry with the shallow nature of fiction, as in Robert Frost's poetry "Home Burial".

" Others are storytelling poetry and drama, both of which are used to tell tales reminiscent of the theater. Both types of poetry, however, use the peculiarities of the Verskomposition to make these histories more catchy or enrich them in some way. In many cases, what is generally acknowledged as "great" poetry is controversial.

"Great " poetry usually follows the above-mentioned qualities, but is also characterized by its complexness and refinement. "Great " poetry usually catches pictures alive and in an inventive, fresh way, while combining a complicated mix of themes such as suspense, intense emotions and ponder. You can find samples of what is regarded as "great" poetry in the Pulitzer and Nobel prizes for poetry categories.

Thus a writer is one who makes, and poetry is what the writer makes. The perhaps most important elements of tone in poetry are the rhythms. In classical, early oriental and contemporary poetry, different counter models were used. Poetic expressions in English and other contemporary western tongues are often rhymes.

At the end of the line, the rhymes are the foundation for a series of popular poetical shapes such as balls, sunsets and rhymes. The use of rhymes, however, is not universally applicable. A lot of contemporary poetry, for example, prevents the use of conventional rhymes. Nor was any rhymes used in classical Greek and Roman poetry.

Indeed, the term only came to be used in the High Middle Ages, when it was adopted from Arabian, in the field of poetry in Europe. A number of classic poems, such as Venpa of the Tamil tongue, had fixed headings (to the extent that they could be pronounced as context-free grammar) that provided a rhyt.

Rhyming was one of the most important aspects in the early German and British poetry (called all-iterative verse), similar to the rhyming of the later lyrics of Europe. Both the allitarian pattern of early Teutonic poetry and the rhyming schemata of contemporary Western poetry contain the metre as a pivotal part of their structures that determine when the audience awaits rhymes or alliterations.

With this in mind, the use of rhymes and rhymes in poetical textures helps to emphasize and delineate a rhythmical patterns. Conversely, the main feature of Old Hebrew Bible poetry was parallels, a rhythmical texture in which consecutive strokes were mirrored in grammar texture, sonic texture, fictitious contents or all three; a verbal distortion suitable for antiphonic or call and answer demonstrations.

Besides the rhyming, alliterative, and rhythmic shapes that give a lot of poetry texture, tone also has a more subtile part in free poetry, in that it creates pleasant, diverse designs and emphasizes or sometimes even illustrates the poems' semiantic features. Appliances such as iteration, resonance, concord, dissonance and inner rhymes are among the possibilities of how the poet uses it.

In comparison to prophecy, poetry is less dependent on the language of the movements and sections than on pure poetical organizational entities. Modern poetry tends to push this to the extremes, with the placing of single rows or groups of rows on the page constituting an integrated part of the work.

At its most radical, this results in the creation of specific poetry. Rhetoric such as parable and methaphor are often used in poetry. Poetic poetry as an artistic genre precedes alphabetization. Pre-literary society has often used poetry as a means of chronicling orally, epically, genealogically, right and other expressions or skills that contemporary society can await in progress.

Ramayana, a Sanskrit poem was probably composed in the third millennium BC in a tongue described by William Jones as "more proficient than Latin, richer than Greek and more exquisite than both. "Poetry in these communities is also often intimately linked to the literature, since the poetic form makes it easy to recall pastoral evocations or prophesies.

Most of the world's holy writings are more poetry than prophecy. A number of authors believe that poetry has its origin in music. The most of the qualities that differentiate them from other types of rhythms of expression, rhymes, compressing, the strength of emotions, the use of choruses, seem to have arisen from the effort to adapt words into music.

But in the traditional sense of Europe, the oldest preserved poetry, the Homeric and hesiodic epic poetry, identifies itself as poetry that is either sing or chant to a musician' s company and not as a mere music. Pre-literary society composes all these types of poetry for and sometimes during the work. Greeks' practices of chanting anthems in large choirs led to the production of drama verses in the 6th millennium B.C. and to the creation of poetical pieces for their theaters.

More recently, the advent of digital publishing and the emergence of poetry readings have revived poetry and created a context in which poetry for the eyes and poetry for the ears co-exist, sometimes in the same work. In the twentieth and twentieth centuries, the emergence of the singer-songwriter and rap cultures and the increasing appeal of slam poetry have given birth to a new discussion on the essence of poetry that can roughly be described as a division between scholarly and pop ularities.

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