Types of Short Stories and ExamplesKinds of short stories and examples
Which are the different types of stories or short stories?
It is a wide-ranging issue, because there are stories and short stories in many forms and greatness. It is important, however, to recall the difference between a "story" and a "short story". The narration can be seen as a private history narrated in a description format (like a private essays ) and founded on a private perspective.
An illustrious tale is Mark Twain's Two Views of the Mississippi River. Besides individual stories there are storytelling verses, such as Poes Annabel Lee, a poetically describing tale narrated from a person's point ofview. It is thoughtful and communicates a lecture or theme based messages. The Whistle, Ben Franklin's historic tale, sharing a more intimate depiction of his younger years.
Short-stories, although fictive in shape, are fictive and contain various storyline elements: exposure, ascending storyline, culmination, falling storyline and resolution. A favourite short novel of mine, by Richard Connell, is the most risky game, a classical short storyline that shows a powerful characterisation, targeted settings, storyline and themeual evolution, tension and conflicts.
Besides this type of short and classical storyline, there are other types of storytelling: tales (like Aesop's tales), allegories (like the parable of the mustard seed), legends (my favourite creature legend, The World on the Back of the Turtle) and toll-roads (a powerful example is Sandra Cisnero's house on Mango Street).
Authors are writing
I' ve often experimented with viewpoints, but lately I've been going to the same viewpoints over and over again. Since short stories are good for experimenting, this can be a good chance to try a new angle. It' also in fashion to use more than one point of view in your stories, but I warn against it in a short one.
Keep in mind, the lookout is the range. As you get nearer to your readers, the better. The use of a storyteller or an all-knowing point of view takes the readers far away. Stories are narrated from afar. While the storyteller is telling the tale, he is not part of it. If he is an all-knowing storyteller, the storyteller will know and see everything.
Thoughts, emotions, drawings and patterns of the figures are known to the readers. Thirdperson. The third one' s getting close. They can tell your storyline with only one or more people. Several lookouts are used with great effect, but keep in mind to keep to one lookout per area.
You would most likely use a personality in a short film. It' s like experiencing history as if you were there. Fist P.A. The first one gets you closer. You' re looking at the narrative through your protagonist's eye. While you can use more than one first-person perspective, make sure the vocals are unique.
Crimes and romance are historically spelled in the third party, most YA tend to be in the first group. Examples: She' opening her big mouth, but she can' see. It'?s timber. It' a small room, a very small room. Blinking as her powder catches her eye. You' re opening your windows, but you can't see.
It'?s timber. It' a small room, a very small room. You' re blinking when the eye gets dusty. I' m opening my windows, but I can't see anything. It'?s timber. It' a small room, a very small room. I' m blinking as I' m getting dusty in my eye.