Top Literary Agents NycNyc top frahlings
Five best ways not to get a literary agent
You' ll be sending your first requests to the largest and best women in New York, Los Angeles and San Francisco. You' ll spend a free period so you can be on the telephone and take their admiring telephone conversations. It'?s been a fortnight. How come your excellent work is turned down without a demand for a part of the work?
Can it be that your work is not right for them without even having read anything about it? It'?s a shaky lot of people. We all have different lifestyles, and each of us likes different types of textbooks. As soon as you know what they are, you' re avoiding them and you have a better shot AT forging an alliance with the medium that gets you this first deal. What are you going to do?
So here are the five best ways not to find a frahling: You' ve purchased all the accounts and followed the rules. Not only is your inquiry note great, it's just great. But, here's the thing: if you rely on a cool interrogation brief to get an operative, you're already behind the bend.
Finding an operative by just posting interrogation mail is like trying to get a career by posting a resume. When you cannot receive a recommendation from one of the agent's existing customers, you must do something else to differentiate yourself from the package. Especially conference authoring is a good way to get in touch with your contacts.
Collegiate bonds, home town links - it doesn't really play a role as long as it differentiates you from the 300 to 500 other folks who have asked the spy this weeks. It'?s an envy that an operative is in the jealousy of just having to study something until we stop liking it. Allows you to select the incorrect one. A lot of operatives would be happy to speak to you if you have novels, cosysteries, hardcore sci-fi or anything that would be released as a bulk pocketbook, but I'm not one of them.
A few operatives only write non-fiction, and your novel - brillant as it may be - will not proselytize them. When you can present your novel in one set or less to a publishers and the idea alone is different and interesting - the kind of novel that a journalist can for example sale to a critic - you will have a much better chance.
The Noah' s Ark in a literature re-telling? Whoever you are, no matter how much you try, you will get denial. Your book may be your kids when we are representing them, but they are like our brothers and sisters. Not even the best agencies are selling 100 per cent of the jobs they take on.
When it comes to the products we are selling, the editorial staff do not always say yes to them. That' s why it is important to find an agency that believes in you and your textbook and continues to try to find a home. Obviously, with tens of tens of thousands or even billions of titles released every year around the globe, there are many happily ever after in the publisher industry.
Recently I was selling two volumes for an writer whose request I had initially given away. Thirty nine refusals later I found the ideal journalist in the ideal place - and the volume will be published in September.