Story Writing Method

Method of story writing

I write fiction mostly by hand. It is a method, and I suspect that some very good authors could argue that it works. By observing the method, you can improve your writing skills. This is also the method Steven Pressfield uses when writing fiction. It is called the "washing line method".

Agaatha Christie's spelling

How did Agatha Christie go through the trial to compose her book? What has she done with her actions and developed her character? When she was composing her first novel, Agatha Christie was looking for inspirations for her figures. So Agatha has chosen once and for all not to be inspired by genuine humans and to make their character for themselves.

He' hounded her as a murderess in the brown suit cover. Agaatha Christie started her ledgers with the killing. She' d choose the type of killing, the killer and the subject first. She' s always been careful to bring too many wrong hints into the story, because with so many things to untangle, the script would not only be hard to untangle, but also hard to understand.

She acknowledges that she had often thought up the plot lines some while before to write the script because she came to her in such strange moments: when she was walking down a road or checking out a treasure store with special interest. However, she will admit that she would always loose the notepad!

Christie usually had about 5 or 6 notebooks at a time and used to make notes in them of the thoughts they hit, comments about some venom or substance, or a wise scam she had been reading about in the paper. Her other storylines just remained with her, teasing her spirit and asking her to think about them and gamble with them.

At times of recreation, parts of her history rattled around her heads and often made her absent-minded at home. Agatha Christie acknowledges in her biography that she never really has a place or a room where she should specifically work. It was Agatha who found that the trouble of type ing or texting was helping her get to the point.

It was tempting to use a dictation machine to do the same thing in a slightly different way, which ruined the workings of script. Around 1930 she had began to type directly on her typing machine, although she was still typing the first few years. Says that there were always three or four horrible wks to survive when she began composing a work.

Agatha Christie's notebook analyses by independently trained academic scientists showed the speed at which she seemed to work. That was because when she wrote a single volume, she saw the risk that it was outdated. Agatha Christie speaks in her biography about how odd it is when a script grows inside you and constantly builds itself up.

All of a sudden she had to start writing the script, and she did it in just three working nights. Also in her textbooks she is strongly dependent on Dialog. Each of Christie's works was also analyzed by the research group, in terms of length, repetition and syntax. You found that all your textbooks are very similar, with the same number of characters in a single term on averages and approximately the same number of words in a phrase.

It was as if she had found a recipe for success that fascinated and kept her readership. Since the reader's intellect is overburdened, they begin to really experience the work, feel the work and get bogged down in it.

Because emotions are much more catchy than thoughts, humans connect emotions with the name Agatha Christie and also with their stories. There' s more narrative at the beginning of her work than at the end, which has the effect that towards the end of her work, we rush towards the end to see who did it!

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