Publishing Agents ukAgents Germany
As he says: "I am often asked by those who live in the UK and Australia if they could have a US operative as their main operative - yes, you can. However, it is very important to think about his work and where his own private label is located. While there are some ledgers that are general (Harry Potter, for a large one), the US, UK and Australia are all very different in terms of marketing, and the reader has different sensitivities.
The United States could not be a success in the United Kingdom and the United States could not. So, take an upfront look at your work because even though the US is the largest one, you may be well suited to find a publisher for it in your home market. If you are looking to find a good job in the U.S., you are well advised to do so.
You' re gonna need a home operative. I am from Canada, but there are only a few women in the whole state. I' ve lived in Australia for more than four years and there aren't many agents here either. If it' s the right moment to question my novel, I hope that I can make inquiries in Canada and the USA, and if you come from a land where there is no large selection of agents, you will probably also be tempted to offer those from the USA.
Do you wonder which is the best for your books? Let us assume you were raised in the USA and now reside in Australia. The best thing to do if the game is in Australia and has an Aussie character is probably to have an Aussie operative, as the biggest readership (as a percent of the readership) is likely to be there.
Provided the product works well, your agents can work through co-agents and distribute copyrights in the US, Canada, UK and all other UK and then perhaps distribute translations copyrights to other non-English speaking jurisdictions. But if your textbook is playing in the US and has an US character, it might be better for you to have an US resident agents, as the readership there is likely to be larger.... but you would have to bear in mind that it would be hard to get the textbook out of Australia.
Choose the best matching markets for your books. Don't be worried about spelling or technical terms that differ between your own and your agent's countries (Favorite/Favorit, etc.). When you need to make changes, only when an agency actually makes you a substitution proposal. Search agents in your chosen markets.... and find out whether they are accepting inquiries from abroad.
The Bukowski agencies in Canada, for example, clearly states: "The Bukowski agencies are currently receiving contributions in kind from potential writers based in Canada. "Obviously, if you're not a native of Canada, you wouldn't interview this particular one. Request by e-mail. It is unlikely that an agents will be interested in customers from other states.
It is unlikely that if an agency fell in loving your script and felt that there was a place on the jobsite, it wouldn't really make any difference where you are. Are you asking about the logistic of applying abroad through company trips or other activities? Did you ever check a foreign publication?