Parts of Story Writing

Part of the story writing

There are three main parts of a story: the CHARACTER, the SETTING and the PLOT. A person, an animal or an imaginary creature in your story. There are five basic but important elements to a story. All these essential elements ensure a smooth running of the story and enable a logical development of the plot, which the reader can follow. Each story or narrative has five essential elements.

Part of a short story to write

So the first thing many college kids ask themselves when they want to make a story is, how long should a story be? Shorts have a fairly wide variety of length, between 1,000 and 7,500 words. When writing for a course or paper, your instructor or journalist can set you certain page requests.

Then you can keep going back and adapt the story to a certain length of demands that you have. Writing feature films is most difficult when all the necessary components for a full-length novel are condensed into a smaller area.

You' ll have to determine the storyline, the characters' evolution, the suspense, the climax and the fall. The first thing you want to think about is which point of view is best suited to your story. When your story focuses on a character's own travel, the first one allows you to show the thoughts and emotions of the primary characters without having to waste too much of your own free space showing them through actions.

A third party, the most frequent, can allow you to tell the story as an outcast. The third all-knowing perspective gives the author insight into the thoughts and motifs, times, events and experience of all people. There is only one personality and all related occurrences known to Third Persons Ltd.

Introductory articles of a story should quickly represent the story's settings. Readers should know when and where the story takes place. It is also important to define the societal environment. If you describe the shot, think of opening a film. If for example, if your story starts with a character who stands in a large group of people, describe the area, then the group, maybe the wheather, the mood (excited, frightening, tense) and then get the attention to the other.

As soon as you have developed the settings, you must initiate the dispute or the ascending activity. It is the subject itself that is important, but it is the excitement that arises that involves the readers. Suspense in a story is one of the most important things; it is what interests the readers and wants to know what will come next.

Just to write: "Joe had to choose whether to go on a corporate vacation or to spend his wife's birthdays at home," lets the readers know that there is a consequence, but not much response from the readers. In order to generate excitement, one could describe the inner battle Joe has, maybe he will loose his jobs if he doesn't leave, but his missus is really looking forward to spend quality free with him on this special one.

Put the excitement Joe experiences in his mind. The next step should be the highlight of the story. Readers should know the outcomes of the dispute and should be able to comprehend all the incidents up to the apex. Make sure that your peak is not too early or too long.

When it happens too early, the readers will either not see it as a highlight or await another turn. When it' too long, the readers may get tired of it before it happens. This last part of your story should clarify all issues that are still open after the climatic incidents. As soon as you have put your story into a semi-final shape, try to have it reviewed by a colleague and give you one.

You' ll most likely find that you've been so entangled in your story that you've left out some detail.

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