On Writing well BookAbout writing well book
" On Writing Well" was praised for its good advice, clarity and warm style.
Write well - by William Zinsser
Big dull piece of advice brainstorming about typing better nonfiction. Quintessence of the letter is the transcription. Because they write so well, it doesn't mean they write well. Remove each set to its purest part. A clear mind becomes a clear letter; one cannot live without the other. An author will do anything to prevent the act of letter.
In the first character, type. It is the author's omission to grasp something other than the next cliché: you learn by studying the kind of letter I wanted to do and trying to find out how they did it. This is a once-a-year publication that every author should have.
There is no other way to study how to type than by forcing yourself to regularly generate a certain number of words. In the end, all typing is a matter of resolving the problems. Unit is the lever of good script. Whenever an article is a success, it should be left with a provoking thought that the readers did not have before.
And the most important phrase in any item is the first. Your story is out if it does not cause the readers to go to the second set. If the second movement does not make him go on with the third movement, he is also gone. Their guidance must immediately grasp the readers and compel them to read on.
Tough detail that tells the readers why the play was composed and why they should be reading. Each section should reinforce the previous one. Be especially careful with the last phrase of each step - it is the decisive stepping stone to the next step. Attempt to give this phrase an additional dose of humour or a little bit of surprises.
Let the readers laugh and you have them for at least one more step. Think about the last set as well as the first. The last phrase - or last passage - is a pleasure in itself. This raises the readership and remains after the story.
You didn't anticipate the story to end so quickly or so suddenly, or to say what it said. Enable your phrases and prevent the kind of prepositions that need to be attached to be final. Readers cannot imagine anyone doing anything; a complicated issue in a phrase can be resolved by just getting it out.
A good non-fiction writer thinks in terms of sales unit, not typesetting unit. but I do like rewriting. Do not try to use words such as "surprising", "predictable" and "natural" that attach importance to a fact before the readers come across this fact. Browse the best authors and listen to their works.
Authors who are interesting in their writings remain interested. One of the least learned and underrated skills in non-fiction is how to organise a long article: how to put the pieces together. No one can make a proper story about the disappearances of small cities in Iowa; it would all be generalisation and not humanitarian.
Iowa is a small city in Iowa, the author would have to tell her bigger history. Every phrase contains one thought - and only one. A lot of the anger that authors get into comes from trying to make one phrase too much work. You have to ask yourself this questions after each phrase.
It should always give the feeling that the readership knows more about their topic than they have written down. Be as entertaining as possible. Authors should see themselves as partial entertainers. That is a pleasant astonishment for the readership. In order to be a better writer than everyone else, you have to want to be a better writer than everyone else.