Novel Writing TechniquesNew writing techniques
Write a novel? Visual Storytelling techniques for film and television rentals
We are so well acquainted with the styles, techniques and methodologies of television and screen. Up to a certain extent we now anticipate that these items will appear in the books we are reading - if not deliberately, then unconsciously. What makes a great, captivating sequence in a picture and what makes it a dull one - at least inside.
Although our taste is certainly different, we are largely in agreement as to whether a particular sequence "works" or not. Either it achieves what the author or the film' s intentions are, or it fails. We as authors can learnt from this kind of imagery; what makes a great film can also reinforce a novel or a brief film.
Most of the technology used by film-makers can be adjusted to the notion. As your novel includes a series of sequences that converge to tell your tale, so do films and TV shows. But as a novel writer, you design your scene very differently from a scriptwriter or stage-man.
While you see each of your sequences as integral, captured times, a film maker sees each sequence as a combination of multiple sections or tracks - a set of cameras that are then processed and stitched together to make this seemless "moment of time".
" Segmental thought in the creation of each sequence allows authors to build a vibrant, strong visual history. How can authors of novels structurize filmed sequences in such a way that they load their writing? These are six easy ways to make your novel look like a filmmaker:
Consider your scenes and try to divide them into a series of pivotal elements. First you have the opening picture, which defines the sequence and the settings. Then, record the pivotal element in the sequence - the "high moment" - that tells you something important about the story oracters.
They can have an extra torque that follows the response or feedback of the high torque. You now have a checklist of "Camera Recordings". "Think of every section on your shortlist, then think of where your "camera" needs to be to shoot this section. Keep in mind that you are in a character's POV - either a storyteller of the first storyteller or a third party personality in that part.
So, consider where this person is physical when he sees and responds to the pivotal moment in your sequence. Now you have your "direction" so that you can create this dynamic part. Think about which tones are important in this sequence. It could be just common tones that add atmosphere to the environment, but also one or two tones that you can add to the sequence and that enhance the significance for your temper.
Ecclesiastical bell rings could be a reminder of her anniversary when she goes to court to submit petitions for a divorce. Bird songs, singing happy in a forest next to a sad person, can ring like mockery and intensify the sorrow. Colours can be used for a stronger effect. Various colours have a great deal of ecological significance, and film makers often use colour very consciously.
They can" tone" your images with colour and improve your vision. An eye-catching camerawork indicates that a player is important or conceited or mighty or superior. Looking down will imply someone who' s faint or substandard or suppressed or inconsequential. When your characters are in a sequence with others and feel overwhelmed, you may have seen them from below to underline this.
All too often writers place their novel in dull environments without telling where they are, what season or what the wheather is like. The film shows the scenes and scenes in detail. Apply textures to your scenes by adding your own meteorological and sensuous detail to the environment.
In Vermont in the midnight of autumn, when two different figures are walking through a garden, the sense of breath is a textures that the readers will "feel" when they come to live in their scenes. Novel writers who think like film makers can make breathtaking eye-catching images that last long after reading the last page.
Take your filmmakers' eyes for some quality action to take your scene to the next stage by giving them vibrant images and sensual detail and consciously incorporating character, colour and sound into your scene for a focused psychology. When we want to move our reader through our narratives in an emotional way, the best way to make our novel come alive is with filmic techniques.
Did you try to revive your history with these filmic techniques? Imagine a novel you have been reading, using colours or sound in a significant symbolism?