Novel Plot Ideas StartersNew plot ideas Starter
10 ways to launch your plot
The emergence of new ideas for storytelling is important for every belletrist. A lot of authors have no lack of ideas for storytelling - their trouble is having too many ideas. If, like most authors, you are, you probably have laptops or computer data full of ideas.
But sometimes you get to the point where none of the tales in these shoals is right for you. These are ten easy ways to develop new ideas. If you don't write your own tales this way, you'll still have a good time! Ideas can come from anywhere.
A number of authors like to listen to discussions in a restaurant to collect ideas for stories. Still others like to get ideas from "people who watch in the mall". Listen to the music on the air, because storylines can appear in words, newscasts, talkshows and even advertisements.
When I can make a sad sci-fi history based on Barry Manilow's happy tune "Sunshine", anything is possible! Do you have a romantic novel cliche or a plot you're really tired of? You might be able to come up with a storyline concept. The resulting ideas for stories have the benefit of being refreshing and at the same times intimate.
Like, maybe you're just sick of all the wicked mother-in-law plans in romances. What possibilities could you have to change this action? Perhaps the Heroin is her mother-in-law, and she is in dispute with her son's new bride, who thinks she is after her. Or, instead of using the mother-in-law as a stereotypical obstacle, make her a true marital concern-seeker.
Ill with romanticism, where the big urban character relocates to a small village, encounters a heroe who makes fun of her trails and finally chooses to love small townsmanship? Perhaps the love affair is prepared for a love story about a heroe who is compelled to move to the capital after having lived in a small capital for years.
There are many romantic storylines resulting from the career of the heroes and heroines. Take for example the number of romantic scenes in which an uncovered co-pop character is compelled to sniff a Heroin. And romantic scenes in which the character and the heroess end up struggling because he has a perilous work. The only way to find many ideas in this way is to ask yourself who might have a fight with someone in this occupation.
Your heroine's a solicitor? Perhaps the protagonist is a copy who suspects all attorneys. Your character's a journalist? Perhaps your protagonist is a secluded personality who hated journalists because she was sold out years ago by a popular newsman. You can also come up with ideas for your side roles from the very beginning of a successful careers.
That also works when the heroe and the heroin are in the same job. Let's make the heroes and heroines leaders, even in the same firm. Think of the options if they do not agree on how to treat an important history. Confrontations are indispensable for good storytelling. So, if you already have a general notion of who your heroes and heroines will be, you can construct your action by identifying the possible disputes they will face.
You want to talk about a character who's a fighting lone mum? Then, the heroe could be a grouchy neighbour who gets worked up about her children breaking his windows while they play ball; a clerk who was lied to by her furious ex-husband; a worried welfare officer..... Would you like to make ranch history?
The plot can then be about the heroes and heroines who fight for aquatic privileges. Dean Koontz described in his very early work how he created an SF storyline by producing playlists. Note down and arrange conjuring words in different directions. Aeons ago, under the strong Rebecca inspiration, I chose to make a Gothic comic.
So, I made a listing of "Gothic Novel" tracks. One of them, "The Banshee Cries at Mournbridge", I knew what my history would be. This was about a recently wed heroin who is still insecure and hearing a terrible sound in the villa she now names home.
A further ploy is to look at accidental songs on the bookshop shelves, preferentially in a different style, and then try to think of a plot that could work in Romantic. Childrens and youth literature, for example, is full of atmospheric songs such as "Ein Licht im Wald". "Skyler, what would a romantic with that name mean?
An historic novel about Robin Hood? Maybe a modern novel about ranger parks trying to find a lost kid. Incidentally, you do not need to use the name that you are creating for your storyline. If you wrote the history, it might not be a good one. Most importantly, generate the ideas, so don't be worried if your tracks are good.
Take a new look at the tales in your regional newspaper. Don't just look at the big ones - on the one hand, there is a good chance that someone else will write a novel from the same articl. It is a great resource for new ideas. Guidebooks are also a good resource for ideas.
I came up with possible ideas for a storyline after I read a compilation of the best of Ann Landers. You can also use quips and crosswords to create your own storyline ideas. Authors of sci-fi are renowned for their question "What if? "But" "What if" is a mighty instrument for authors of novels of all genres.
These are also a great implement to use once you begin to build an image for your novel. As soon as you have a general notion of your action, give it the "what if" one. OK, your hostess is a waiter. It' important that you don't stop after you make up the apparent ideas.
In fact, some authors suggest throwing away these ideas because they are too apparent, and then asking again and again "what if" to get the less apparent ideas. Ideas can be a frustration. Although you have many ideas, most of them don't work. Many ideas that don't work properly aren't broke - they just haven't yet hit their "buddy".
There' an notion is a good thing -- even if it doesn't go anywhere, at least you could think about it. However, to combine two or more ideas can be a marvelous thing. Sometimes you end up with an notion that should not be more than a deadlocked action until it comes up against the notion that was intended as a catalytic converter.
Having read many phantasy books, I became ill from the number of tales of brawny, epic barbarian fragile magicians mocking me. I fought for a while to make a fiction about a friendly and kind of magician (a kind of magician) and his barbarian boyfriend, who turned out to be less herotically.
A while later, I tried to make a tale of a jail where magicians were compelled to look for treacherous magic artefacts in an old town, and a savage who was locked up there to kill a magician. Even this concept ended up in the "story limbo". Then somehow, the two ideas melded.
When I was finished, both the savage and the magician were heroes, the savage no longer mocked, the magician was not always friendly and soft and I had a novel with more than 100,000 words. Thus the combination of ideas can be a mighty instrument. Clarion and Clarion used similar drills -- Vonda McIntyre's Of Sand and Mist and Grass is a well-known example of a storyline from a chance word work-shop.
When you' re trying to think of ideas for a storyline, consider going online to find one. Online newsletters, like normal newspaper, can be a resource of ideas for storytelling. Online paper also has other benefits. Using the web you can browse articles from around the globe for free, and you can find articles on casual subjects simply by click.
In fact, there are websites that are only there to help authors come up with ideas. And one of them is the AOW History Starter. In this way a personality, a fundamental concept and even a symbolic and a subject are created. While you don't have to use all the ideas you generate, you can use them as a springboard for your storyline.
Try the RTL Generator for fast plotting. There is also a novel generator at familygames.com just for your enjoyment (see below). The site is generating some pretty odd ideas, like "He's a devilish, guitar-playing dogcatcher who has nothing to loose anymore". Sure, you'll probably never use this coincidental bandname or coincidental words in your love story.
She is a Gothic Journal and Writer's Digest article writer and columns the At the Back Fence for AAR. During her " free times " she presents AARlist, a romantic reader network supported by AAR. Almost everything she wrote contains a romantic touch, even if it is a phantasy novel about a gentleman and a censor.