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Looking for a publisher for your book?
I' m a classic Urdu writer and I'm looking forward to a compilation of my Ghazal's. Usually I am contacted by at least two editors when I show up to record my Ghazal's in a poetic performance. You barely mind (or believe in) the contents of a book and will release everything (read some bit of shit) if you are paying them well.
Since they don't worry about the qualtity of the contents, they try to make more and more from the author himself, because they know that they will hardly spend their own funds to buy such a book. On one line they try to make more from the writers and not from the reader. I' m not looking for a publisher who's serious.
I' m looking for a publisher who knows good and evil poems. An editor who can put his trust in my poems (after having checked the final product ), a publisher who believes that "yes, this particular book will bring me the readers I need" and who will be willing to release with a minimal amount of input from the journal.
When you are willing to put your trust in an writer and make money from the reader, you are welcome.
Authors | Crossing
Comments are received from various persons - recent writers and persons suggested by recent writers, recent book reader, book agent and persons we encounter at meetings, and writers who come to us for the first contact with unasked scripts. Furthermore, we do not undertake any obligation not to release another book with a similar notion, a similar approach or a similar history.
Determine who the readers are (try to be as particular as possible, e.g. your job, your occupation, your salary, marital status, etc.) and who really wants and is supported by your book, and research what the market place for your book is like. There are other textbooks similar to yours and how do they sell? (The ranking of on-line bookshops, although not a scholarly action, can give an indicator of the sale of a book.
So the more research you have done on the open source site, the greater the chances that your suggestion (and your book, if it is released later). Also think about how you will be supporting your book when it is out there. A book's popularity is dependent on the writer joining with the reader through lectures, speeches, essays and interview.
Though the publisher reinforces these dynamics through advertisements, public relations and other promotional activities, it only accelerates the whole business processes - it cannot enforce it. This is the best suggestion with the following elements: While we sometimes welcome suggestions for unscripted textbooks, changes in business norms and selling habits necessitate a final text at a very early stages of the publication lifecycle.
Evaluating the uniqueness of the book (e.g., taking a singular standpoint on a particular topic, presenting materials that are not readily available, explained in available linguistic materials previously debated in the jargon). You may also want to add a debate on other publications in this area and how your work is related to them.
Planned public. Debate about who you think will buy and buy the book (e.g. groups of persons in the sense of a single nomination, reader of a certain book and/or a journal, members of an association, etc.), and debate and examination (e.g. reviews, papers, magazines). Please also let us know if you have just signed a publishing house agreement for another one.
Although the peer-reviewing process of your paper is an evaluation of the value of your idea and letter, in a fair manner to you and your work, we also need to assess whether we are the best place to target your paper, given our recent publisher schedules. "What is your reason for accepting or rejecting a motion?
" There is a dramatic change in the publishers' sector and most conventional book publishers' designs are no longer sustainable, partly due to new electronic content and other breakthrough technology and a common fall in copyrights-compliancy. If we examine a suggestion, we ask whether we can appeal to a particular public that considers this particular book a need for which it is willing to be paid.
"Are you offering collaborative publication? "In some cases the editorial staff have rated the contents of a book as outstanding, but the planned turnover is not high enough to pre-finance the book (as with traditional publisher models). JVP allows writers to buy a book to compensate for pre-press expenses.
" It is the concept behind an advanced payment to assist the writer during the letter. Preferably, we spend as much as possible on the book's own creation and development, and then we are pleased to split the profit from the book's finances with the text.
There are a large number of entries and the amount of free telephone speaking hours is the amount of free work we could have used to work on concrete suggestions. It' s hard to get a keen feel for your projects on the telephone, and only if we see something on the record can we judge whether your particular way of approaching a subject is sustainable for our markets and our fellows.
"Can I apply to several publishers at the same time? When we start a serious debate with you about the publication of your book, we will ask you to put all other debates on ice and subscribe to a deed. "I have a book that was rejected by the Great Big Famous House. "GBFH sometimes rejects great novels that are selling well and bringing their writers fame.
" Yes, we work together with the IPG (Independent Publishers Group) in the field of marketing. IPG's formidable field staff visit all major chain stores and most of IPG's independently owned and specialised bookshops at least once a year. As one of the biggest US book distributors, IPG gives our titles the same attention and advertising assistance that any major publisher can have.
"Congratulations. How do you intend to publish my book? "Not every book needs an external journalist, but if necessary we work with excellent journalists, both at IPG and other businesses. "Are you promoting my book? Most of the publicity we make will never be seen by the consumer because it goes directly to the sales points visited by experts such as bookstores, library staff and educators, whom we ask to check, store and advise our work.
In addition, every year we place a series of programme advertisements, which can contain your book according to the public and theme. Lastly, we place personal advertisements with the aim of letting a certain public know about the book's life, i.e. we let a certain public who is already interested in the book's theme know about its public.