I want to Publish my Book on KindleI' d like to publish my book about Kindle.
All Indie Authors Need to Know About E-Books
Publishing your own e-book has never been simpler. Self-publishing tool, platform and service richness is growing and being honed for ever greater coverage and efficiencies. With so many good choices, however, it is more important than ever that writers select the best way to get to the widest possible audiences.
A self-released author's first big decision is which big retail companies (Amazon Kindle Direct Publishing, Barnes & Noble Nook Press, Kobo, Apple iBookstore) and publish his e-book (Smashwords, BookBaby, Blurb). Most of these are non-exclusive so that an editor can hold on to her privileges and use some or all of them at the same time to remove any revision, change in prices or the work at any time she wants.
That makes it preferable for an authors to be distributed on as many different sites as possible, usually with Amazon and then with Smashwords or BookBaby to all other large merchants. However, Amazon has made this difficult with the launch of KDP Select. It gives self-publishers the opportunity to join the publisher giant's Kindle Owners' Lending Library (from which Amazon Prime members can borrow as many electronic works as they want) and the even larger Kindle Unlimited catalogue (in which those who pay a month ly subscriptions charge can access as many as they want).
Writers can take part in the Kindle Countdown Deals or Free Book Promotion promotion tool. There is a check mark here that writers must only publish via Amazon. KDP Select provides appealing advantages for those who already distribute most of their e-books through Amazon or whose top priorities are to get more subscribers (instead of high payouts).
Mathematics is less useful for more mature writers or those with significant revenues on Nook, Kobo and elsewhere. One way or another, writers who choose the programme are only banned for 90 working day, so it's simple to try out what provides the greatest returns. As soon as an writer has authored a book of which he is proud and has received feedbacks from his or her friend or other "beta readers", it is worth paying a specialist to check the text.
Good-looking artwork is also indispensable for an e-book - one that catches the reader attention and looks professionally, but is also simple to look at when viewed as a small miniature picture on a smart phone or in Amazon's "Customers Who Number This Item Also Bought" section. "Ebook artwork needs to be simplified," says Joel Friedlander, a book illustrator working on e-book designs at The Book Design.
The writers will also want to look for fuzziness and review that they can incorporate on the book cover or as part of the front cover. They can be answers from other writers, book writers, book writers, critics or other well-known personalities to promote the reader's work. You can consider booklogs and book review, such as Self-Publishing Review, IndieReader and of course BookLife.
When this seems too costly, an editor might consider financing the venture through a website such as Kickstarter, IndieGoGoGo or Fundly. Whilst crowdfunding is a good way to attract the funds to create a high-quality, self-published e-book, it also manages an early book puzzle and test whether there is a book launch before the writer makes the next step to publishing.
Whilst the script gets a conclusive evidence, an writer can begin to take action to actually make it into an e-book. Writers can do this themselves with a few lessons of self -training or by paying for a post. If you are going on the DIA routing, the script must be translated into two different types of document (provided you want to publish on all important e-book platforms):
One MOBI for Amazon Kindle and one EPUB for other ebook vendors, such as Barnes & Noble, Smashwords, Kobo, Sony and Apple iBooks. Writers can use Smashwords Direct to load their EPUB or Word documents onto the Smashwords platforms. Whilst the writers can simply share their book with all large retail outlets outside Amazon, the automatic Smashwords "meatgrinder" converting process offers the writers a restricted selection of what their finished layouts will look like.
This includes the free PressBooks, Leanpub and Jutoh tool (with a paid edition that offers more features) for EPUB and MOBI or Sigil for EPUBs. It' free, multi-purpose and works for Mac and PC as more than a basic e-book convertor. When all this seems like more hassle than it's earned, it may be simpler to get a translation services provider that will charge a lump sum for converting text to e-book.
Suppliers of this services are BookBaby, eBook Architects, Bowker and 52 novels. SMASHWORD provides own references for e-book-formatter. Ensure that each data type is displayed on the appropriate device (Kindle, Nook, Kobo, etc.) before you upload. Kindle Previewer (or Kindle Previewer 3, in beta) from Amazon and in Nook Press' Manuscript Editor provide a desktop-based previewer of the downloadable documents for those who do not have device privileges.
Upload in a few seconds with your artwork and e-book files. The author is asked to give fundamental information such as name and adress for the license fee and the book's meta data. These meta data - titles, ISBN, descriptions, etc. - are the keys to how your book will be created during the search.
Target for classes as specifically as possible (you get only two with Amazon) considering that the selection of another class (like Noir or Heist) includes you in a number of general classes (Mystery and Crime Fiction). You can drill down into the top 100 or top 10 of those sections to see your book in front of more people browsing the best seller catalog.
Authors must also choose the book's prize. There are different views on the perfect purchase prices for an e-book, and it can differ according to writer, type and size, but in general it is better for sale, as many people still anticipate that e-books are less expensive than printed music.
Amazons bonuses award writers for demanding between $2.99 and $9.99 for their work ( "70% bonus for publication directly with Amazon Kindle in this area, and only 50% bonus outside of it). Out of the USA, Great Britain and Canada Amazon will pay 35% bonuses at any cost.
Whatever an actress evaluates her book, it is important to be adaptable in number, willing to increase the purchase at the right time (e.g. if selling at a low point of sale has been stable for a few weeks), or to reduce it at other time ( (e.g. if a new book is published in a run, reducing the costs of prior instalments will increase sales).
Naturally, authoring and posting an e-book is not all there is to self-publishing. Writers must devote a considerable amount of their own resources and energies to making their works known and getting in touch with new audiences without the conventional publisher's sales and promotion tools. It should begin with just beginning to write and edit the book:
Writers should build a website and a fundamental public space for contact with supporters and publish information and news about their e-book and the advances they are making. Included in this can be a profile on Twitter, Facebook, Tumblr, Pinterest, a private blogs and other sites where the writer can find interested reader, such as Amazon's Autor Central and Goodreads.
Composers who find this distribution of online content too time-consuming or overpowering may want to concentrate on one or two sites that they like and that appear to be a logical complement. A poster mailinglist is a precious but often missed resource for e-bookers. Whenever a book is published, the publishers should post it on their online book bazaar and online at www.kindleboards.com.
Goodreads, LibraryThing, BookBub or single book blog givesaways are an efficient and favorite way for writers to spread the words about their work. Instead of giving away the whole book in a character styled way through the platform, the e-book size allows an editor to give part of the book - whether the first chapter of a novel, a summarized copy of an instruction book, etc. - to anyone who wants to have it downloaded.
Writers should be sure to end up adding a link to the places where the full release can be bought and background references to their website, online communities, soft reading sites and other resources. As much as increasing your baking catalogue and networking to make your next book a success, your new book is about promoting your new book through public relations and market research.
As Goodreads, Facebook and other websites are offering accessible forms of advertising, it is less likely that they will bring an individual the kind of profit that can deliver an interactive online audience or life event (promoted by Goodreads and elsewhere). We are constantly adding new features and establishing gamers are offering new promotion opportunities to facilitate the success of indies.
In this sense, self-publishers will want to keep up to date by visiting sector websites such as Digital Book World, Kindle Boards Writers' Café and of course BookLife. Several self-published writers, among them Kristine Kathryn Rusch and Joe Konrath, also report on the sector. There is a changing e-book environment, and writers who want to keep up to date and adaptable will find plenty of possibilities.