How to Write Properly

To spell correctly

Only one way to write correctly (Yes, you discovered it!). Writing in such a way that your meaning to the reader is clear. In order to get a feel for the right muscles (and train them properly), hold your arm in front of you, bend your elbow and write in the air. You can use your arm and shoulder to form letters;

keep your forearm, wrist and fingers stationary and in writing position. You will learn how to construct a sentence and how to write it with the right tense.

writing hints

Perhaps you're just an adventurer who wants to try your luck at calibrating (or maybe when your manuscript improves). But if your letter looks like wild hens have come off the page, that's probably not enough.

You will probably need to train your wrist and your hands. Having taught manuscript and palligraphy over the years, I have learnt to recognize the qualities of those who will be able to quickly absorb the necessary movements from those who need to work a little more hardwork. Cramped, rough characters are often the outcome of writing the characters with your finger instead of using your whole arms to write.

Fingering is used by those who have problems with manuscripts and calibration. They" draw" the characters. Fingering places the full load of his hands on the piece of writing tissue, his hands forming the characters, and he keeps picking up his hands to move them across the tissue as he stencil.

When you use the right groups of muscles, your typing will have a soft, gentle stream and will not look torment. Anyone who finds it easier to write can find it quite difficult to place their hand on the piece of cardboard, but their lower arms and shoulder move when they write. Your letter has a cadenza that shows that you are using at least some of the right groups of muscles.

You do not mark the characters with your finger, your finger is more of a guide. Have a seat and write a number. Watch the muscle with which you shape your mail. Are you drawing every character with your finger? Do you keep raising your hands to move them? The odds are good if you have learnt to write after 1955-60 (depending on where you went to primary school), write with your paw.

It is not my aim to make you a Palmer novelist or writers of the fourteenth century. When you can make compromises between the "right" ways and the way you write now and enhance your writing so that you are more satisfied with it, then I am glad too. There are some folks holding the stylus between their first and medium finger, which seems very unpleasant to me, but I have seen how it works.

It' going to take a while to re-train your muscle and relearn new ways of life. Fingerprinting is not deadly, but it is sluggish and often hurtful (if you have to write a lot). Don't paint your own personal deeds! Don't write with your hands! Put it in the butters, on the shaver, put a note in the breakfastbox.

I' m reluctant to take this into account because it may sound much more complicated than it is..... but..... let's look at the most fundamental things: to hold the stylus and place the hands. It is the most commonly used pin hold point where the pin is kept between the first and medium finger of the thumbs.

The most of us keep the pin between our thumbs and indexes and place the run on our midfinger (Fig. 1). It works better than keeping between your thumbs and index and midfinger, with the entire module lying on the ring hand (Fig. 2). You do it the first way, you get off to a good good start. Now.

Both have the remainder of the finger rolled up under the palm. Two-finger on top technique for hold the stylus while you write. Notice that in this location, which is normally used for calibration (or for truly discriminated writers), the stylus rests on the finger's ankle of the index finger. In manuscripts, the calligraphic style is less important than in pencil positions.

You are advised to work in your usual job unless it is really not. It is important that you are feeling good, that the stylus feels even and that you have no stress in your hands. Place the part of your palm and the corner of your rolled up little fingers on the piece ofaper. A lot of textbooks suggest you write with your desk at a 45-degree corner, but this is inconvenient for most of us.

When you can support a plank or write with one on your knee, this is a good starting point, but a shallow finish is okay. Don't take too much care of this positioning material; the most important thing is what makes you relax and well. So the La-Z-Boy probably won't be prolific.

Keep your hands fairly upright and write something over and between your thumbs and indexes, exactly where you put your pencil. Don't ruffle your wrist and write to the wrist, that's a cramp-like, lousy posture. Often referred to as the "hook position", this is often the case with left-handers.

I only found a point of referral to write the right groups of muscular groups, and that's crucial. Calligraphic manuals are addressing handposition, desktop location, illumination, paper, you name it - but for some occasion, not with the right musculature. Like you probably suspected, the "right muscles" are not the ones in your finger.

You' ll need to use your shoulders and forearms. It' able to work much more complicated than you think, and it' less tiring than your fingertips, apart from giving the typeface a sleek, neat and bold look. Although it seems a paradox, as we are used to think of small peculiarly controlled muscels, the group of shoulders, once exercised, does the work better.

In order to get a feeling for the right muscle (and train it properly), keep your arms in front of you, bend your elbows and write in the upwind. Capitalize. You can use your hand and your shoulders to form characters; keep your forearms, wrists and hands in place and in your pen. You' ll be able to sense your shoulders, your arms, your breasts and some back muscle that do most of the work.

When you lift your hands up in the sky and make large rings, pay attention to the muscle you are using (here in deeper pink). until it becomes as naturally as breathing. When you have a board or a pole and a railing (or even a door and a wall), write on it.

They give you a sense of the muscle you need to use and typing on a perpendicular finish makes it practically inexhaustible. If you are one of those who can' t write on a whiteboard because you always want to reduce the font so your hands can do it, it's really important to you.

When you want to lie down over and over again to write near the walls or the blackboard, you must withstand the pressure! You' re gonna give in to those damn thumbs. Keep in mind that your finger should move very little and your wrist even less. Put it on the piece of sheet metal in an ordinary booklet (the line serves as prefabricated guide for height and distance).

When you can get the Big Chief pill of a first-year student that has large strokes with a dashed line between two fat strokes, use it. There is a good reasons why kids begin to capitalize and the older and smarter they get, the smaller the characters get - this is the simplest way to do it.

Begin doing Xs and ///s and \s and OOOO's and overlapping OOO's and coils and ||||||||. Utilize the same shoulders and forearms that you trained with. Clear your line, loop, circle and spiral. If you begin to make oblique marks and squares, they will be irregular. Their aim is to create even, evenly distributed and evenly distributed strokes, curves, circles and spiral shapes without having to draw them.

First your dashes and curves become badly overflowed and underflowed, too small, too large, slanted, bumpy, just inconvenient. Examine your location, test your muscular groups and try again. Focus on holding your wrists largely in place and in-line. Have the big guns do the work. In the beginning it will be more strenuous because you use muscels that are not used to this kind of work.

This can help to focus less on the precision of the forms than on the muscle they produce. The aim of turning the arms is not to make nice little curves and curves the first tim. If you begin to put the marks and line on a piece of hard copy, you' re going to begin big. 3, 4, more rows in your ledger.

Don't try to write nice deeds. Also, be aware that both aerial typing and papermaking can take place during the meeting and while waiting for someone! Capitalize. Type words and phrases at the same times as you do lines and drills. With increasing controls, reduce your lines and characters until they are the sizes you normally write.

At this point, you will probably no longer need to make any additional efforts to integrate this material into your letter; it will run automatically. Also, your typing should look much better (and be simpler and better to boot). No part of this publication may be copied or transmitted in any way without the prior written consent of the copyright-holder.

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