How to Write Flash FictionWriting Flash Fiction
This is how to write flash fiction: 11 paces (with pictures)
Also known as micro-fiction, flash fiction is a rapidly expanding type of storytelling that is aimed at telling a whole storyline with a finite number of words. Flash- fiction is usually 500 words - or less! There is, however, no general rules for the length of flash fiction; for some a good flash fiction play should have less than 400 words, while other people think that a storyline can have up to 1,000 words and can still be regarded as flash fiction.
If you write flash fiction, concentrate on shortness, meticulous storytelling and exciting storyline so that your storyline feels fully evolved and has an influence on its people. Begin the plot in the center of the plot. Don't want to squander precious words to create a complicated background storyline or give a verbose representation of the landscape that surrounds your characters.
Start your storyline in a minute of transformation, a decisive instant of narration. Concentrate on showing your audience the excitement of the action rather than squandering words that describe why a character acts in a certain way. Her flash fiction play should come into its major storytelling or action controversy in the first passage - or even in the first part.
2 ] Don't keep the reader in the dark, you have no words left. "Show your reader only the "tip of the iceberg". As you start in the center, you show your reader that much of the storyline has already taken place before your flash fiction begins, and that the storyline can be continued after the end of your storyline.
Let part of the activity take place outside the site so that you can concentrate on an important sequence and an important notion. That means that you need to include literature tools like premonition and sound in your Flash work. Concentrating on a singular sequence in an act or dispute, the reader can introduce himself to the remainder of the story.
Build your own characters with care. A good Flash play probably only has room for one protagonist. Don't use words to inform the reader about the characters - show them in a sequence and let the character's quality, personalities and uniqueness develop throughout the whole game. Consider the most important changes you want your characters to make and get into history as quickly as possible.
Same goes for side actors (if your storyline has any) - they should be interesting, but don't need much set-up or explanations. Wonder how your side actors promote the actions around your leading actor or how they enrich the scenes or the thematic. Concentrate the storyline on a unique instant in your character's world.
It should concentrate on a particular instant or a particular sequence - it should not contain a character's biography, except for longer-fiction. In flash fiction, you select a moments in the lives of a person in which you can tell a great deal about them, but in a brief while.
Good Flash should have only one topic, one basic concept. 6 ] This means that all "insignificant" topics and notions must be removed from history - otherwise your history could become inflated and outdrawn. Also your Flash Fiction play should have only one key contradiction. In order to make the dispute clear and ensure that it is clear to the reader, make sure your narrative addresses these two questions:
So what does the protagonist want? Who or what (circumstances or people) prevents the characters from getting what they want? Finish the tale before the last movement. All too often, flash fiction plays become an excercise in scribbling punch lines or unexpected revelations that can be more like a magic ploy (ta-da!) than interesting text.
When your storyline results in a surprise or emotive experience, present it sometime before the final paragraph. In this way, your reader can view the effects of the peak of the storyline along with the characters. Be as precise as possible. In a flash fiction storyline, you have to be very succinct.
Lengthy descriptions and repeated personality evolutions should be stored for longer histories. The majority of your phrases should be dedicated to the evolution of the major dispute of the narrative, not the creation of the background storyline of the actors or the description of the scene. The end should be a dissolution for the player's personality and, like at the beginning, make sure that the end is really brief.
Concentrate on the last line. Even if you don't necessarily have a certain "end" in your last line - in a Flash play this can seem artificial or superfluous - concentrate on designing a last line that remains in your reader's head. The aim was to lead the book in an unanticipated way or to take the viewer to a new place to reflect on the book and its meaning.
Work on everything from the storyline that is not absolutely necessary to understand the settings, the plot or the emotions of the character. Premeditatedly be with every single thing in history. Fiction fans who are used to Twitter should practise creating your flash fiction play as if you were tweeting. Have a look at many Flash fiction samples.
Like any kind of literature, it's a challenge - some would say that it's not possible to write efficient flash fiction if you're not already absorbed in the game. You can find a Flash Fiction compilation released at your favorite bookshop or an on-line magazine specializing in Flash Fiction publication. Authors need the input and opinion of others to help them write better.
When you have created several flash fiction songs that you think show your best work, ask one or two of your buddies to do it. Look at what they say: If your buddies point out weaknesses in your typing, characterizing or plots, fix the weaknesses and then ask for a second reading.
When you have the interest, the spare moment and the budget, there are many good on-line authoring shops that allow you to present your Flash fiction to other authors. It will enhance your typing and your capacity to speak about teamwork. As soon as you've spend your free part of your life creating flash fiction, you might want to publish your work.
On-line magazines are ideal for flash fiction because the brief layout can be readily viewed on a website or literature blogs. Anticipate Denial - Denial is part of the publishing lifecycle for any writer, and Flash fiction plays are as easy to deny as any other kind of film. I' ve noticed that in most Flash fiction there is little or no dialogue, I wondered if this has any kind of logical?
A lot of flash fiction authors don't write dialogues because they need a large number of words. Flash fiction has to limit the dialog so that the storyline doesn't seem like a theatre work. What P.O.V. is best suited for a brief, imaginative, fairy-tale tale? With the first one you could write and tell the tale through the protagonist's eye.
Be sure to tell a storyline and not just have a monolog or a descriptive view. Dialogues and descriptive texts have no storytelling suspense and no action that appeals to your reader.