How to Write a Story PlotWriting a story plot
Writing a plot
Which is an action and how do I write one? You have many ways to place the flesh on the bone of your property frame, also known as the plot outlines. In this section, your choice of environment and personality will have a great impact, but you must also be careful in the order of incidents that occur between the incident that triggers the story and the incident that concludes it.
Spins and turns that enhance the feeling of battle offer your reader the possibility to develop strong emotive ties with the characters and create tension. Which is an action? A" plot", put simply, is a complicated and the dissolution of the complicated. The way you create the complexity and the dissolution is entirely up to you.
You do not even need to be conscious of the powers that move him or her through the various stages that lead to the solution of the complexity - or that the complexity itself is there. Probably won't know that the sorrowful teenager in your novel is looking for a feeling of being.
Most importantly, you keep your action focused. An action is a complicated one and its dissolution. In a way, everything that happens in your novel must drive your story towards this dissolution. Let's look at the following plot: Investigator E gets to the murder site and is accused of capturing the murderer (this is the complication).
Perhaps the newbie is on to something and it' s ignored by him - and lets the murderer get away, making the plot even more complicated. But everything has to be connected with the present case, otherwise the story will become entangled with foreign "stuff". With this in mind, the plot of "The Story of Character X's Life" is never a good plot, because it does not have the perspective that keeps the story and the interest going.
You' ll need to give your characters a certain part of their lives to tell the story. When your story is about a girl who has been abandoned at the shrine by her high scholastic love, you have to look back on some areas of her relationships and associate them with how she reacts to something in the present.
At the end of a string of meetings - meetings with a good doctor or a good doctor - the story ends with a feeling of hopes for the coming years. Plot overkills are one of the most frequent problems we are confronted with. Stay with the action and, once you've solved the complexities in your story, STOP!
Is there any point in writing another one or two chapters on how the woman's kids developed and how she finally passed away as a lucky old lady? These questions have nothing to do with the key difficulty of being abandoned at the shrine. It was over when this complicated situation was solved.
You are concerned that your action has deviated from the theme and that your problem has no solution? Send your story to one of our script processing service, and our experienced writers will verify that your story is on course and free of grammatical and orthographic inaccuracies.