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Authoring great, multidimensional personalities is one of the most difficult - and important - aspects of scriptwriting success. Beyond the creation of sensitive personalities or amusing personalities or even inventive personalities, the Holy Grail of characterisation is the creation of intriguing people. If you look at the list of the greatest TV and movie stars, those who are fascinated are very well presented.
The second episode (click here for the first) of our ULTIMATE Screen Writing E-Book line takes us into the deeper, darker realms of personality and the psychological aspects of allure. There is a profound sense of humor in the hearts of truly intriguing people. We' re all repeatedly reminded that in the tale the protagonists have to stay away.
You have to be different. Isn' it good to see a difference? Changes mean learnt lections, healing relations, gaining salvation. There is a perverted fact here: variation is normal. So it' s actually a tedious transformation, whether it is good or not. In order to be really interesting, to go against the current, to be fascinating, a person must either become the person who does not alter (the history of his or her origins, which means that we must either already know, or be sure that we will see what they "become").
It'?s about tradeoffs. This end of Vic Mackey's tale expresses this discrepancy in a perfect way (and symbolizes it). Vic does not alter at all over seven series of THE SHIELD. Fascinatingacters all have one thing in common: they don't want to make compromises. No matter if they produce or sell narcotics, build an imperium, "protect" their families or kill assassins, they' re a character who really fascinates, who either won't want to or just can't make a comeback.
They are only killed (although they are often not killed). Captivatingacters are on a quest and nothing must get in their way. How can they not move and still achieve their goals? Once they changed, the disk would vanish. In fact, the guiding concept of intriguing complexity could be presented as follows: someone wants something, doesn't stop until he gets it, beats all barriers on his way and wants even more.
Even though it' s a three-hour story, any real transformation can undermine your monomaniac with an uncompromised nature (and even for movies that involve ten years of a character' lives, this still holds true, because for the public the length of their storytelling commitment is still three hours).
On long-distance TV, it is possible that a monomaniacal nature may be changing, although such a shift must begin deeply inside and take a serious period of the year - which means that it usually lasts at least five months before it works. MAD MEN' s ending of Don Draper's storyline is a great example (with a twist) that attracts the interest and interest of (someone).
captivating, captivating, absorbing, interesting, enchanting, enchanting, enchanting, entering, enchanting, piercing, riveting, hypnotizing, hypnotizing, enchanting, occupying, engaging, forcing, seducing, seducing, seducing, enticing, drawing, enticing; as this short extract shows, the creation of fascinating personalities is a very complicated skill and is one of the most difficult - but most worthwhile - challanges, a world-class shoot in the broader sense.
Can your personalities be enhanced? Do they have enough complexity? You wish they were more, well, more intriguing? Teller-Morrow - a really complicated personality that captivates.