How to Write a Mystery novelWriting a mystery novel
Writing Policies for Mystery Genres
Much more than any other type of generic typing, mystery Writing tends to adhere to default precepts. It' because the mystery reader is looking for a certain adventure. This reader seeks the mental upheaval to solve a felony before the investigator does, and they want the enjoyment of it all.
Obviously, the best way to test the mystery writings is by reading many of the genres. In this way you can see how other authors apply the rule and how they get away with it. However, before you try to violate the regulations, please have a look at the following regulations and see how your work follows them and how they deviate from them.
It is because when reading a crime novel, the story must come first. Ensure that every dot you write is reasonable and keep the operation in motion. Your investigator must appear early in the story as the protagonist. Concerning the perpetrator, your readership will be deceived if the villian or aggressor arrives too belatedly in the textbook to be considered a live able subject.
Misdemeanor and the resulting issues are the catch that will inspire the Reader. Mord is the only justification for many people to read a 300-page volume and at the same time test the strength of your investigator. But it is noteworthy that other forms of force (such as sexually assault, abuse of children and animal cruelty) are off-limits enough to justify a comedy.
Whilst the particulars of the assassination (i.e. how, where, why and how the felony is discovered) are your primary means of introducing diversity, make sure the felony is reasonable. Their readers will be deceived if the felony is not something that could happen. This may sound like a no-brainer, but remember that your readers must believe your villain's reason.
And the bad guy has to be able to do it both physical and emotional. I didn't want the investigator to do it. If the investigator finds them, all the evidence should be disclosed to the editor. The mystery author Margaret Murphy says: "Readers must sense that they know what they are speaking of." When you give the answers to the readership too early in the text, the readership has no need to read on.