How to Write a good StoryMaking a good story
Making a good story excellent: 9 hints
To learn how to make a good story great you need to master the basics of writing: But if you've made a good story but think it might be more interesting, these 9 easy moves will help you convert it into a better first draft: An awesome story opening lets the readers quickly make investments to find out more.
What happens to alter his view? The phrases promise a story of change: "I always thought it wasn't like that. Torment your readers with partial information right from the beginning. To learn how to tell a great story is to learn how to keep track of every page, every section, every phrase.
If, for example, you show your readers a naked and closed room that tries to get away, they can sense without further explanations that they are being detained against their will. In order to make a good story great, re-write descriptive texts that don't do enough work. In a story in which a bombshell was placed on a platoon, for example, your account of the platoon could indicate a threat to the planet even before the bombs were introduced:
From the beginning, to create a feeling for directions and narration is the secret to starting a good story. Write or edit a scene that doesn't take another leap towards your characters' main objectives or hinder their advancement. Each section should provide the readers with information that raises further issues.
A story is without this emotive component without meaning. Ensure that each section contains at least one little insecurity to arouse your reader's curiosity. Every great story is based on a clear understanding of cause and effect. In order to enhance your story, make sure that each character's voices are unique in the dialog.
This is Janice Hardy's commentary on how to carve words out of a verbose script for more advice on economic story telling. Well used, side-stories can make what is already a good story excel. Sub-plots that seem inconsequential to your storyline are confusing to the reader as they seem to be inconsequential.
One good example of an efficient side story is the incidental story about a young streetwalker Sofia and her familiy in Fyodor Dostoyevsky's crime and punishment. Raskolnikov kills an old pawnshop in the movie Detective and Punishment. In the subplots, the novel's subjects of blame and virginity are developed. Even though the characters commit a horrible felony, the subplots allow us to see conflicting excesses in them:
Dostoyevsky's side story encouraged us to see the story in all its complexities. Backstory will help us to see and sense the tragic nature of the situation and decisions of the people. Much more than the felony and punishing of the game.
It' simpler to make a good story a highlight if you include a far-reaching cause and effect in your story. It can be something that has already taken place before the beginning of the story, the thing that drives the story into a definitive clash between a character and a mischief. For example, in Harry Potter, Rowling uses her protagonist's paintbrush with the bad guy in the story (an incident that took place when she was a child) to initiate further meetings.
It is important to keep up both short-term (within sequences and chapters) and long-term tensions. This article is about how to write useful extensions for hints on how to finish your story.