How to Write a good Creative StoryWriting a good creative story
Write the end of a short story " Find Your Creative Muse magazine
So how do you write an ending to your story? There' s not a way to end a story. A lot of authors don't know how their story will end when they write it. So the end appears when the story is unveiled on the page. Others know how the story ends before they begin, and can concentrate on resolving it as they write.
I will briefly describe in this paper the importance of an ending, how to finish your story and what the ending has to do for the readers. I' ll also give some hints on how to write an ending for a novel or story. There' s got to be an aftermath to the key dispute.
By the time you finish writing, your story must be completed. Any open question asked in history must be addressed. The end can take the form of termination, realisation or revelation. Every one has a different significance. It can end with a close or an open end.
At an open end, the author asks what will be next. Readers can visualize what the main figure will do with his or her next being. Joyce adopted the technology of épiphany. Joyce is writing an epipathy in the story by JamesJoyce. Threatening to repeat her mother's existence encourages her to revelation that she must go with Frank and start a new stage in her ancestry.
When the story ends, she has a second epipathy that ends the story. Shorts or fiction can end in many ways. These are some of the ways authors end their story: the way they tell it: Occasionally, the author ends the story with a two-way. The reader believes that a story ends in a certain way, and then it ends in another way.
The story, for example, can end with a dramatic ending in which the main character die. This story could end with an ironical ending that unveils the dark side of man's character, the shadows of man. Chopin's "A Story of an Hour" ends with a two-way end. The story sometimes ends with a last act that puts an end to the war.
In" Jack London's To Built-a-Fire " the story ends with the main protagonist freezing to death on his way to the labour camps. Basically, the author makes an ending in which the story ends, but the readers wonders what will next be. You can write another story that will bring the story to a complete conclusion.
Their end must respond to open ended history issues. You must therefore write an end that will resonate in the reader's head. It must also be a natural result of history. This ending should also respond to the key historical conflicts.
The end sometimes ends the story, but it doesn't mean the end. Readers must respond to the question that comes with the end of the story. When the ending is a disappointment, many authors will not suggest that others should be reading your work. The best ending is only possible by developing a sense for your story.
You should finish the story. Sharon Warner in A Writer's Guide to Fiction (Published by Writers Mag) gives five hints on quitting a story to help you write a finished story. It trivialises your story. Instead, they write the ending until there is almost a new story that will develop in the end.
So in other words, your opening will often suggest how the story should end. Good story ends easily. Not all the opportunities offered by history are bound by it. So, in other words, don't tell the readers what to think about the story. Make the readers find it through subtexts, make their own choices.
A lot of shorts end in epiphanies. It is a technology invented by the author James Joyce. You have to end the story. This ending should also give the story some significance. So what does history, especially the end, have to say about man's character or state?