How to Write a good Action Story

Writing a good action story

You learn how to use it in fiction. It is an inviolable law that good action lives from brevity. We' focused on stories that have action openers and then wrote our own. Acting, story events, are the key to action and good storytelling. Making decisions and keeping the action moving and keeping the player busy is difficult.

Write an action scene? There are 5 ways to make more punch to your novel

As I started to write my first thriller, I knew it would be a real upset. There was one part of the letter that I was sure would be much simpler than the rest: the action sequences. It would take a great deal of work, research would be tedious, I would be distracted by the characters' evolution - but the action sequences would be child's play.

It was in my memory and I was writing it happy and saw every punch in my mind's eye. What was that? In my eyes, the battle was dazzling. However, the battle I had put on the table was a true blow-by-blow battle, and it was bothersome. Here is what to do before you start writing this stunning action sequence that burns in your brains.

To learn how to write action, read the work of these authors. A few of them are described intensively and vividly, others have almost no inscription. A few action sequences are quick and lethal, others longer and exciting. You will be inspired by a wide range of works, try out a few different ways of creating a sequence, and finally find the one that is best suited to you and your story.

That doesn't mean your action scene has to match the exact remainder of your fiction, but you should use a styling that supplements the remainder of your work. In his Spenser novel, for example, Robert B. Parker often goes into great detail about what his figures are wearing, but his action sequences are brief and fatal.

On the other hand, Lee Child's main protagonist Jack Reacher is a man who is able of great power but also has a great ability to be sane. As Reacher is the action heroes of the man who thinks, the child's fighting sequences are less truncated and less described, which fits well into the characters and overall sound of the read.

You really need an action at this point in the story? We have all gone through moments in which a struggle takes place when it was not necessary: he has not brought the story forward in any way and seemed to have been recorded only for the struggle's sake. What did he do?

A good writer knows how to drive his story forward efficiently. Larry McMurtry, Pulitzer Prize-winning artist, records the scenes below in his novel Lesome Don. It' s a brief and violent sequence, but it gives a good glimpse into the personalities of his characters, Woodrow Call. It also compels the readers to ask the question that increases the pleasure of the remainder of the novel.

When constructing an action sequence, do you wonder if this sequence belongs here or elsewhere? Is that even part of the story? Otherwise, crop it out - or move it to another place in your story. When I made my heroes too unbeatable, my crowd would see through me, but how can I put intensive, gory realities into my hero's darts and darts?

So I' m very comfortable with what it looks and feel like, and I tried to put that in my action sequences. Southafrican writer Deon Meyer is shadowing policemen and interviewing forensicists to help him get them out of death before dye.

The action sequence should modify a personality or give the viewer a better insight into the motivation, emotion and possible action of the personality in the game. In this one sequence, a set of calculating incidents is initiated that durably changes (and ends) the life of almost every figure in Puzo's novel. While Puzo makes his action sequences intensive and thrilling, he also knows that there is a high value to the violent and does not shrink from making his actors bear the brunt of their brutality.

Just as you design your action scenes, you are planning the after-effects of the force. There must be an action that advances your story and has repercussions for your character, immediately or later. More information on how to write a great fighting world can be found in Joanna Penn's free interviews with the fighting genius and writer Alan Baxter, Alan's Write the Free or the How To Write Scenes Masterclass With Alan Baxter.

Do you have any advice for authors working on action sequences?

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