How to Write a Fiction novel

Writing a novel

As one writes his first novel. When you don't read the heavy hitters of your chosen genre, don't hand in Go, don't collect a publishing contract. Locate a routine that works for you. Outline" is a polarizing word for fiction. In order to better understand a character's story, many fiction writers create whole stories for their characters.

What can I do to get motivated to compose a novel?

Actually, before "making it easy", you have to "count" the costs of composing your novel. Begin with the basics: How many words do you want in the end? Which is the default vocabulary area for the category in which you want to work? It is a usual number for fiction in general to target 80,000 to 100,000 words, but no more letters.

I' m not saying you should stop at 100,000 words; I like to go far beyond my number of words so that I can go back and cut out all the fragile parts and still have a large script to work with. As soon as you have defined your rough target for the first design term (this number often varies greatly from design to design - believe me!

Let us assume that you want to work 2,000 words a working day, six working days a weeks, because, like me, you have a full-time position to fill, and that is about the limits of your possibilities because of the small amount of spare work. Therefore, their target for the weeks is 12,000 words.

You should take about thirty-minute to achieve this aim, get a schedule and highlight what you want at the end of each group. It is very reassuring to keep an overview of how many words you have at the end of each workday. And it can be discouraging until you reach 50,000 words, and then it becomes pathetic.

As soon as you have your precise objective, you simply begin to do it. You' re going to have to do it. There is no need for a clear line; just take the idea that has accumulated in your mind and scribble for it as if there were no morning! I say that "you have to pay " because there will be a point where you stop being so nervous about typing - a kind of writer's death ban that you have to enforce.

"I' m not gonna write anything. It'?s a shit story." It' completely crap and no one would release it in a thousand years. Because, you know, it's the damn first design, and if it doesn't look like shit, you probably didn't do it right. Doing one of the last things you want to do is to grapple with working on your letter while you are still not through the first scheme yet.

You' ve been working on this script for week, and, damn it, you don't have the bright prospect of allowing it to chill on the windowsill for a few nights - after it's done and you've somehow twisted your mind around the whole storyline you might want the storyline to be recorded.

At some point you will see the course you want to go in, and perhaps you will already be half way through with your original aim in words. Then you can begin to "plot" your sequences before they are written: It is much simpler to create sequences if you know what you want to create; this way you can take a few moments to "tell" the sequence before taking it apart and "showing" it directly to the people.

It' s work, and sometimes it's not as much as people. This is an ideal you need to grasp in order to know what kind of engagement you want to have with yourself before you begin to write. So if you are not willing to make the offering, why are you even starting? Would you like to write enough to stick around and do it when everyone else in the studio goes to the new Star Wars film?

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