How to Write a Book Based on your Life

Where can I write a book about my life?

This is a book based on your entire blog, or at least a selection of your posts. Now is the time to really sell it, as reading your book will change your life for the better. There are strange moments in life. I had the first problem when I wrote my gas station history, came from this idea. But we are all looking for answers so that we can find our own meaning of life.

An 8-tip guide to turning "real life" into bestselling fiction

Lots of folks are starting to type because they have a true narrative to tell - something that happens in their own or in the Lives of a friend or member of their families that they think would make a great work. However, if you choose to make your history as a novel, you must take this crude tone of facts and make it into something that is your own work.

This is sometimes more work than rewriting a whole storyline, because you have to dissociate yourself from the "real" personalities and make them your own. To write a novel that' s rooted in a real-life scenario is much more than just chewing up a tale you know by chance - even if it's a whizz-bang, a whopper in a tale.

It is a challenging task to turn reality and reality into destiny. Since I had no rules at the moment when I started to write DECOADES, I found out when I participated. 1 ) Get to know your trade. It' easy, but you can stand to repeat yourself: teach yourself how to create a captivating notion. My first "big book" was my first few years, but before I started to write it, I spent over ten years working on professional essays for men's and men's journals and inventive pocket books, mostly Gothic romance and romance, under various acronyms.

During the trial - and hardly deliberately - I learnt how to spell actions, emotions and sexuality, how to get hold of a readership from the first movement and how to make a clip figur. Chance - and true love - gave me the first inspirations for years, the history of a married couple in times of war. By chance, I happen to know each of the three protagonists, two much better than the third.

When I wrote a novel on the basis of reality, I was confronted with the same challenge that a novelist has with every novel - the need to build credible personalities and a drama - with the added turn of structuring the informality, disorientation and indecisiveness of reality into the requirements of a novel.

The knowledge of the "real people" proved to be both a boon and a barrier. 4 ) Safeguard the private sphere of your "real" character. I of course altered the name, but when I started writing, I went on and also altered the spell. For example, a drastic name shift to Mark Saint Clair ensured JD's private sphere and had the side effect of ridding me of any memories of the true John Doe/Jack Dawson.

5 ) Help your readers to refer to your history. my fashiondesigner Freund was a classy, neverwed Manhattan singles gal who lived a frantic, high-caliber community outfit. He was her student boyfriend and is learning (the tough way) how to behave in a demanding and competition-oriented corporate milieu.

Everyone of the other players got a similar madeover. 6 ) Give your character space to scour. The history took place mainly in Manhattan, but I found the settings too narrow. Manhattan is where the figures in the novel are, but I have added Florida, Nantucket and Caribbean film.

With different attitudes I could show how the personalities in different regions and in different environments have behave. 7 ) Extend the breadth of your history. Nearly every "real" history is naturally restricted to those directly affected. Unless your tale is about a pal who happens to be president of the United States.

When I designed the novel and its storyline and character took form, I wanted to show how the effects of what began as an accidental love affair affected those who were not directly affected. 8 ) Look for the greater importance of your history. I' m not saying that you should bang your readers on the face with "The Meaning Of It All".

I was in the middle of the design and stopped to type the last thing that turned actual living into destiny (outlines are not my strength!). When I had completed my transformations, storylines and the quest for a more substantive frame for the storyline, the protagonists had taken up their own fictitious way of living, the storyline came to a completely different end than in reality with their own energies, and I was able to depict huge amounts of culture and society change in an amusing and historically appropriate way.

It turned out that the novel's primary condition - a marital breakdown and an adultery scandal - was not led by one but two celebrity editors - "This is my life," one of them commented. I' ve never thought about it, I had no clue that my fictitious scandal reflects the actual experience of the two publishing houses.

I only knew that chance had given me an unbelievable foundation for a novel that linked a captivatingly dynamic personality with an eras of rapid socio-historical transformation, the effects of which we still sense today. Did you write a storybook that'?s real? ANNIE recounts it all in an exclusive conversation with Catherine Ryan Hyde, and Anne was genetrified and canonised by Porter Anderson on Writing on theEthern.

Find out how your comments are handled.

Mehr zum Thema