How to Start Writing the first Chapter of a Book

Beginning to write the first chapter of a book

Begin your novel with your reader in mind. Weaving these criteria through your first chapter, your story starts with a bang. As Stephen King once said about opening lines: "An opening line should invite the reader to start the story. Three-Arch bridge; Kahn, Roger: So we had something that we could use as a starting point for the chapter.

Start of writing: First chapter of your novel

Writing her first novel at 15, Kate Swanson started writing her first blogs in 2006 and has since been writing for profits and building web sites. "This is one of the most celebrated first movements in the book, from the novel Rebecca by Daphne du Maurier, and it is a good example of the strength of a good opening.

Her introductory section is the most important in the book - it pulls your readers into the book. It is the task of an opening movement to make the readers fascinated and inquisitive, like Rebecca's melancholy first movement. Your novel's first few words should make your readers ask a simple answer to a problem that can only be found by reading on.

I' ve added a few more opening rows to clarify my point: You' ll be amazed by all these opening rows. What made the telephone ring and what was the "it" it began with? There are of course winning stories with opening rows that don't pose any question, but they are still a success, not because of their beginning.

In any case, there is more than just one phrase at stake. Finding a fascinating first movement can be quite simple, but if you meet the reader's interest too soon, you will put the book away again. You' re going to drag them further into the storyline, beyond page 2, so they have to buy the book to find out the part.

Unless you find a way to arouse this interest on your first pages, it is likely that you began your history in the incorrect place. It is a frequent error for newcomers to use their first chapter to setup the game. In order to arouse your reader's interest, you must include him in the history starting on page 1.

You give them a great deal of information about a history they don't know yet, they will loose interest. As there are many ways to get the readers into the picture, don't run the chance of loosing them before you even start! There are many textbooks and classes about writing that tell you never to use a prolog.

I only recently realized why, and I am thankful to the editor, Carina Press, for having launched this information exchange on her bios. It' s a good idea to read both the article and the commentaries, but in short, it is usual for the reader to jump over the prolog and go directly to chapter 1. The reader has learnt that prologists are often a way for a novelist to drop a bunch of background stories they don't want to go through - they want to get right to the point.

This is a big issue, because when used correctly, a prolog can be a good way to start a book. The Prolog selects a central sequence from your background history or your core history and narrates it in an isolated way. That means it should be an interesting sequence that catches the readers attention.

When it is a sequence from the past, you tell it because it initiates the mystery to the readers that will inform the plot through the remainder of the novel. When it' s a shot from the past, say it because you want the readers to think: "Wow, how is that supposed to happen?

" You can use your prolog to make the "tick" that appeals to your readers and makes them want to hear your stories. Once you have added your "hook" in the prolog you will probably not be able to provide any more in Chapter 1. The first chapter deals with Yuri, a sleek charming man who really is a mobster from Russia.

This chapter is from the point of views of the hero. Like you know, if you've been reading my Point of view story, it means I can't tell you anything she doesn't know - so I have no way to tell the readers about the man's real being. This chapter is like a romance - nothing that could arouse the reader's interest.

I tried to start the novel later in the history, but it solves all possible issues that I can't solve. Instead, I chose to include a prlog that shows Yuri's real character in a violence later in the history. By the time the readers get to Chapter 1, they know that Yuri is not the rich business man he arrives - and they wonder if the character will be burned.

Then, shocked, terrified, I found that many of my reading people didn't even reading prologs, and that didn't mean I couldn't rely on the Yuri people! I couldn't find a way to put warnings in chapter 1 without making my character look silly because she didn't notice them. The final resolution was to have another blog, this one with the two brethren six month before the beginning of the film.

Ad-although it was really a prolog because it was so long before chapter 1, I made another very easy modification - I called my prolog as chapter 1, so the old chapter 1 became chapter 2 and so on. Finally, there is no need for the sections to be sequential in exact chronological order.

First and foremost, your opening line can make or crack your novel, so it's definitely a good idea to invest the extra amount of your precious little extra work to make it as good as possible!

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