How to get an Editor for your BookTo get an editor for your book
To find an editor for your book: to ask 5 important questions
Once you have edited your script as well as possible, it is a good idea to look for an editor. Do you want someone to give your book the best possible shooting, but how can you make sure you choose the right one? There is a big distinction between writers who point out your shortcomings and find a solution, and those who give general advices that lead nowhere.
A writer who repeatedly received general feedbacks from journalists on "It's good, keep writing" received a 215,000-word volume at the end. Eventually, the tired man found an editor who could show him how to halve the script and intensify the story. Using the incorrect editor is not only a very expensive economic error, it is demoralising to put so much trouble into a book and not feeling comfortable about the outcomes.
They want your narration to meet your requirements. You should seek the help of the right editor. It will be completely useful for you and the results will remain faithful to your vote and your history. In order to find this magic editor's monster, five simple question have to be asked and five little banners have to be observed.
What kind of publisher has the publisher worked for? Each editor you are considering will have a shortlist of textbooks she has worked on - if not, run in the other direction. Makes it look like she's had experience, but you need to take a close look. There is nothing in self-publication as an writer (indeed, it is the true destiny of publishing), but there is something in being an editor who has only worked on self-published works - it can be a scarlet banner that she has only ever worked as a free-lance editor.
An editor's degree is deserved. Before you can work on your own book, it will take three years with a publishing house. The ability to make edits is the result of many years of collaboration with specialists - other writers. It is unlikely that freelance workers have ever had the chance to be led and supervised by an editor.
Tradtional writers have purchased and released works from agencies. "It is important to know the references of the editorial staff in the editorial sector, to know that they know what works on the market," says Chelsea Lindman, a Greenburger Associates agency. They know what it needs to make a book attractive to the reader, no matter how it is made out.
If you look through the publisher's book list, see which titles have historically been released. You can ask the editor if she ever worked for a publishing house. He' re an editor or an editor? When an editor informs you that he is editing, note that this is a scarlet flagg. Authors and writers have different background, references and role.
Some overlaps exist between the work of a general editor and an editor because the editor fixes some grammars and consistency, but it is not the particular function of an editor. An editor has a rule-based grasp of the Chicago Manual of Style that your editor does not have. If you are presented with an editor's book list, make sure that you ask whether these titles have been proofread or revised.
When they have been copied, you are not working with a real editor. With how many writers does the editor work in one months? The editor will proofread your script thoroughly, sometimes more than once, taking notations. Skilled writers will not take more than two or three copies per months, according to the length and method of editing.
When the editor you are considering juggles seven to ten novels a months, she doesn't have the luxury of being thorough or cogitative. What is the editor's rough citation? Check the publisher's offer against the Editorial Freelancers Association's default tariffs or other publishers' tariffs. When your editor's quotation is high, check his or her experiences with the other quotations you have had.
Journalists with many New York Times best-sellers, who are in great demand, will ask for higher prices. It is not unusual, however, to find an expert editor at the default price. Once the installment is low, take another close look at the publisher's book list. When you are considering working with the editor, ask for reference from his publishing house and customers.
Do you have a test version that you can work on? In addition to our extensive expertise, you want to find an editor who fits your history. In order to find out, ask the editor if she would be willing to perform a test editing, a brief editing that can only comprise 10 pages. She won't know enough about your history to tell you her mind, but she will know just enough to show you what her thoughts look like.
It is also perfect if a fast call is contained in the study to ensure that you have a good relationship. Proofreading is a cost-effective way to see if you are working with the right editor before deciding on full editing. It may seem like a blow to the right editor, but it's a worthwhile proces.
A good editor will not only make your script more attractive, she will also make you a better one. When you found a great editor for your work, how did you know it was? Are you looking for an editor for your literature or non-fiction? The NY Book Editorscan helps you to find the right editor for your history.