How to begin Creative WritingGetting started with creative writing
Let us take a short trip through the story of imaginative pens so that we can assess contemporary imaginative pens in a historic setting. Initially tales were handed down from generations to generations through verbal narrative tradition. The narrator's mind and tone were the main "writing tool" in these tradition, although the narrator's tales were often complemented by instrumental and dancecraft.
The narrator's character permeated the story and took on colour in a process of lively interaction with the public. In the course of the years, the tales developed through recounting. Only with the invention of the literal term (archaeologists put its origin around 3200 BC, according to place) did we begin to write down histories.
Here begins the story of imaginative typing. One of the oldest instances of story writings in the West is the Bible and Homer's Ulysses; in the East, the Indian Vedas and Sanskrit poetry; in Middle America, the Maya codices. Anyway, the tellers began to write down their tales.
When this occurred, the letter making pathway developed. Rather than tell and retell the tales verbally and improve them over the years, wrote speech gave the storyteller the opportunity to tell the tale over and over again in a design proces. This gave them the opportunity to take in more histories by offering them a bodily expansion of their memory: inks and papers.
For a long while, the arts of typing were an erotic sport. Aside from the costs of the letter in antiquity, many barriers to its allocation had to be overcome. So the Bible is an example of a compilation of early history that found early fame and notoriety. It took several hundred years until Gutenberg founded the print shop in 1450.
It is important to realize that Gutenberg's media has not improved the typing processes, but the distributive them. It was still difficult to write a history, but now a novelist could contact his readership in a more accessible way. Towards the end of the 19th century, the invention of the typing machine began to seriously evolve the typewriting world.
Typewriters quickly became an essential resource for authors. Rather than having a history written by handwriting and then set by a printer, a author could now use keys to have his words directly typed onto the page. This made the typing and typewriting processes quicker and more effective, and the broad and fast introduction of the typing machine has proven itself.
One hundred years later computer technology was developed and another drastic change in the write making was made possible. Rather than write a tale on a piece of hard copy, the authors could typ it on a single monitor - no more blank sheets of hard copy, no more waste. The short past of our pens takes us into the present.
Yet the text editing program has not undergone too much change in recent years. For example, recent Microsoft Office documents are almost the same as the 1997 document on which I first learnt to use a text processor. Most text editors cannot change this straightforward layout. Those of you who are well aware are now considering the exemptions from this law, or what I call the next landmark in the story of inventive typing tools: nonlinear inventive scriveners like Scrivener and Ulysses.
Rather than trying to simulate the typing machine, these programmes are approaching typing from a structured perspective. It also gives you the opportunity to add metadata to your work - things like perspective, design state, etc. - in an efficient, palpable way that enhances comprehension and, when used properly, enhances your creativity and fun of typing.
Nonlinear text editing is the driving force in the story of inventive typing instruments. Today's authoring professionals also need a tool to help them get started in the world of the world. Anybody who has ever tried to turn a Microsoft Office doc into an e-Book will sympathise with this challenging task - Microsoft prefers to add concealed tagging and make it hard for an author to turn their story into published digitally format.
Utilities like Scrivener help you eliminate this suffering by providing you with a compilation procedure that is suitable for all current e-book file types. And I don't want you dealing with outdated straight-line text editing programs. And I want you to be a developed author. I use Scrivener as my chosen program, and I have already posted several essays on how to use it.
In the next few months I will use Scrivener to go into the write making processes in detail, from plotting to compilation to publication-ready formatting. In this historic setting, I trust you can see the advantages of working with the latest imaginative pens.
What are YOU using for your work? Look at these issues as they are related to your own typing process: What is your actual pen tool kit like in your work? Did you try new features to enhance your processes?