How much can you make Writing a BookWhat can you do when you write a book?
So how much is a best-seller worth?
Forbes says if you were J.K. Rowling, you'd make $95 million. It says the lady who authored the Harry Potter book is valued at $650 million. This award is owned by James Patterson, who has a net value of $700 million, all from the letter of citations. As a lyricist in an arcane J. Walter Thompson location, Jim Patterson was named Sr. The Company's New York-based Sr.
When Patterson was 29, he had his first novel to be published. James Patterson, a life at JWT, ran the shop's US offices when he left the commercial business and focused on novelists. A lyricist for many years, Patterson had insight into what motivates them to read an ad.
Applying these findings in his own fairy tale, he produced a series of best-selling works - and began to print hard cash. Patterson's expertise with Thomas Berryman had not given him a high level of insight into the distribution and merchandising effort in the publishers' world. So, when he began to beat crime stories, he was insisting on doing the advertising campaign for his work.
As a single-handed author and producer of TV advertisements for his Alex Cross range, he revolutionized the world of publishing. He has a feel for the promotion of literature that has made him wealthy beyond the desires of greed. However, for every J.K. Rowling, James Patterson, Lena Dunham, Dan Brown, Stephen King and John Grisham there are literally a thousand other authors who make little profit.
Some of the great playwrights went bankrupt. For a long time after the death of these novelists, their works became best sellers and earned their living for other peoples. In 1945, the year of her death in the Bergen-Belsen consolidation camps, Anne Frank was fifteen years old. She' living in Manhattan, which may be why she thinks the way she does with the kind of cash she makes.
She said, make sure your asset makes a good upfront. This could be all the cash you'll see from the sale of your work. However, the bookkeeping practice in the publisher community is not as murderous as in the film industry. Even the publisher is by no means as unscrupulous as the musical industry in its prime, when attorneys and bookkeepers were working with sound carriers on a routine basis.
However, the bookstore cash still has a way to mysteriously evaporate.