How long to Write a BookFor how long you write a book
So how long did it take to write the most famous textbooks in the world?
Featuring disappointed supporters waiting anxiously for the next episode of George R.R. Martin's âA Song of Ice and Fireâ book, many faithful followers of his show ask how long it really will take to write a masterpiece?â It seems that there is no definite answers to this issue - from stubborn postponements to the flash of inspiration - there are an infinite number of influencing elements that can affect how long it will take to write.
The Winds of Winter, Mr. Martin's diligent timetable for other ventures, his glory and the expected length of the script have caused a delay. By the time inspirations come, some renowned writers have proved that a work of fictitious brilliancy can be created within a few short time.
We have compiled 30 of the world's most popular pajamas, from âThe Boy in the Striped Pyjamasâ, which the writer, John Boyne, claimed to have authored in 2 Â ½ pages, to J.R.R. Tolkien's âThe Lord of the Ringsâ 16 year long triology, to disseminate and collate.
Besides the knowledge of how long it took to write these stories, it is interesting to compare the number of words in the text. With over 58,000 words in length, âThe Strange Case of Dr. Jekyll and Mr. Hydeâ was typed in just 6 workingdays which means that Robert Louis Stevenson was writing a noteworthy 4482 words per diem to complete his history within that period.
Impressing in comparison to JD Salinger's median for âThe Catcher in the Ryeâ with only 20 words per days over 10 years.
For how long you can write a book
We' re taking a letter from Joel Canfield this weekend at Ask Me Anything." So how do you determine how long it will take to write a book? Are you setting a target like a year, or let it last as long as it lasts, and rely on the day-to-day practice of timekeeping?
TRANSCRIPT: Steve: I think it's a great thing when we think about organising a year - and Shawn, hop in and Jeff hop in whenever you want. I think the main term here is timeblocks. It' not just one or the other of the days, because it's like taking a sail boat to Tahiti and you think: "Well, I'll just keep going westwards.
" You must have a file, and you must know how long it's gonna take. I read - I don't recall this author's name, but he's like a very popular novelist, a trademark called Kerl - and he said that it took him 200 hrs to make a first sketch of a novel.
So this is again under the topic of timeblocks. So let's say you're a mother, or a lone mother, or you work and you just don't have much to do. 200hrs. "So if you look forward to 2014, you can say, "Okay. I'll write.
Here is my destination. I' m going to write a first sketch of the novel I'm working on, and it will take exactly 200h. Well, which is very powerful for me to think in such a timeframe - it's a little like the Foolscap method - one can say to oneself: "Okay.
I' ll do my term. "The other thing you can say to yourself is: "How will I be feeling at the end of 40 week when I sit on my desktop and be a 315 page first sketch of my novel? In this nine-month period, let's say.
Part of the interpellation was here: "Do you aim for a certain period of elapsed or do you take it for as long as it is? "I have definitely fixed a target and say: "Between now and my birthdays I will do'x'. I' m going to write so many things.
When I begin with the first sketch of a book, I give myself a page number. I just take it out of the sky and say: "Okay, that will be 360 pages" - and to my surprise, every single one of these comes out like two or three pages.
In other words, a year' s thought in terms of periods of time is a good way of doing something. I panicked for about five whole nights and thought: "How am I ever supposed to pull myself together here? "And I just said to myself: "It will take me a year, and I will write two scripts, each for six month, and at the end of that period, if I can't make a livelihood, I will go according to plan'z', whatever it is".
And so I wrote them both and they both went on sale. So, the way to do it is to think in terms of times. Determine what you want to do and how long you want to do it, and then stick to it. This 200-hour tour is a good base.
Here is one way to make it more unique - and I've spoken a great deal about it in the book I'm going to end up writing The Story Grid. Rather than trying to become David Baldacci, who can make it in 200 lessons, find out how long it will take to write a certain number of words.
Let's say you have a section to write. You' ve got to write a great shot and you have to say it in 1,500 words, which is actually a really neat thing to say to today's readers. So, 1,500 words, just be seated, don't work on yourself while you're typing it. Simply write the tale 1,500 words and see how much patience it will take.
If you know, say it will take you three lessons to write 1,500 words. And then you can simply go back and calculate and know: "Well, I want to write a little novel that will be 60,000 words, and it will take an HR per 500 words, then it will be two HRs per thousand.
That' s 120 lessons to write 60,000 words - and this is the first design. Well, that's another way to find out how long it's gonna take, not, you know, Steve Pressfield, who's been doing it for 30 years. Wake up in the mornings, have a seat and write'x' words....
When Twyla Tharp's everyday stuff is written in her book The Creative Habit, she gets up every day at the same hour, goes, picks up a taxi, goes to the same fitness center, trains with the same coach, goes back to the club, dances her music. That'?s exactly what it is.