How do I become a NovelistBecome a Novelist?
Fourteen good reason why you shouldn't be dreaming of becoming a full-time writer.
A YouGov survey this weekend showed that UK citizens would rather be an writer than have any other work. Out of 15,000 respondents, each of whom was given a wide range of "dream careers", 60 percent said they became an writer. I have been a full-time writer for nine years and write tens of textbooks on sports, celebrities, policy and canines.
It doesn't always make me uncomfortable. What does an ordinary writer get? In order to be an writer, Martin Amis said, "one must have a great desire for loneliness. When you are over 35, you were raised in a time when word smiths were uncommon beings kept in reverence.
They may think you're a professional, but in the end you get mixed up with non-professional and part-time authors, which means you're supposed to do free sideline work to "get your name out". You' re on your own as an writer. They' re going to make fun of your vocation: When you are writing non-fiction, someone will ask you why you don't actually compose a "real book", like a novel.
You can even have your publishers run an author's photograph of you on which you touch your jaw and all look sophisticated. On the other side, however, you are also very much out of the process: you do not go to your own business or marketings, and many important choices are made without you. Honoré de Balzac, a popular essayist from France, needed an industry grade of cafeine to write his texts.
What are the demands on a novelist?
Apart from being a natural prodigy with the capacity to create fanciful sequences around the clock, there are no prerequisites for becoming a novelist. Whilst it takes an extraordinary amount of energy and devotion to accomplish a story as big as a novel, anyone with the right attitude, lust and creativity can become a fictionalist.
A number of tradtional paths are followed by many authors, and although they are not a requirement, they do offer an advancement when it comes to novelists. This means that you need to know exactly and thoroughly the topic you are working on. While you don't necessarily need a diploma in English, a university course that demands plenty of literacy will certainly give you a push when it comes to a novel of a few hundred pages.
A large number of authors participate in educational programmes such as MFAs or the Master of Fine Arts to work with other authors, sometimes under the supervision of peer-reviewed fiction authors, essays, poets and dramatists. Even though it is not necessary to have an MSF to become a writer, it helps those who want to be teaching higher education letters categories as a way of assisting their novel-writing endeavors.
The best way to get to know how to compose a novel, most authors will say, is to read the work of other authors for many years. Make plenty of note taking and study the form, texture and craftsmanship of fiction from classical to modern. Developp a consequent and diversified harvest.
The study of classical composers is important, as many modern composers have an impact on classical works. However, it is equally important to read the works of modern artists in order to understand the present state of the art and the development of the trade. The wide range of readings will help you discover your own taste and your own passion, and these will be translated back to your own pages of inks.
The authors discuss this subject most frequently. There' s never enough, and it always seems to be full of other things than writing: washing clothes, washing, socialising, other work, education, raising children. However, to be a novelist, you have to create a way of typing that gives you the necessary amount of space to write a chapter.
This means you need to organize your novel as if it were a career and find it as important as the amount of work you do at home or at work. That can be hard, but it's a custom that you evolve and solidify over the years. Persistence is probably the most important characteristic you need to be able to compose a novel.
After the first refusal or after the impact on the feared barrier of creativity named writer's obstruction, many authors give up. But you can't give up if you want to be successful as a author. In order to compose a novel, you need thick skins and the urge to disregard refusals and to continue to compose and submit them. "Jan Archer has a Bachelor of Arts in politics and a M. A. in composition.
For five years she has been teaching college-level coursework in the fields of economics, science, business and engineering, as well as literary, cultural and cultural studies.