Getting Writing PublishedPublishing the letter
Submission of your work for publishing can be a stressful and traumaous procedure, but it's one that you have to go through over and over again if you don't want your work to get dusty. And if you never submit your work, then the one thing that can be guarantied is that it will never be published.
Only a few major publishing houses are willing to receive poems and shorts from unsuccessful authors, but there is still a vast web of small publishing houses that exist only to support such works[See Letterbox (II)]. However, there are few small publishing houses that produce fiction or autobiography, so your possibilities here are much more restricted.
First of all, you have a much better opportunity to place your work with a publishing house if you can use the service of a frahling. You' ll find listings of such artists in The Writers' Handbook[Ed: Barry Turner, Pan Books] or The Writers' and Artists' Yearbook[A&C Black], both of which are published yearly. But you must be conscious that they are as difficult to win as publishing houses.
How editors live they to make a living - a percent of the author's literature revenue - and so they are unlikely to accept a novelist whose work they are not quite sure they can do. If you are a prospective novelist without an assistant, the only piece of good practice is to do some research.
It' supposed to be pretty apparent, but you don't sold romances to a home that only releases sci-fi, or a bit of literature to a home that only releases western. Explore your markets thoroughly, and at least you will land on the right mud heap. This mud heap applies to all unasked scripts a publishers obtain.
For the occasional luck - the 2003 Man Booker Prize laureate, DCB Pierre's Vernon God Little came from such a stock. You' ll have a better opportunity if the publishing house actually asked you to see your work - if you sent one or two sample chapters and a summary in anticipation than an entire volume - but that's very unlikely, unless you have an agency who speaks for you.
But if the stories have a keen sense of community interest, then your district collection or district past gathering may be curious - umpteen of them person a writing protective covering for anesthetic interest product - but you fitting may person to assume that it is single deed to be of curiosity to your person, unit and descendant.