Examples of good Writing in NovelsGood writing in novels
Exemplary exhibitions from classical literature
When we speak of'exposure' in history, what do we mean? The'arrative exposure' is important information that gives the visitor the backdrop to his history (e.g. the backdrop of the person or the historic environment). Have a look at some of the best examples from acclaimed novels: Authors sometimes use'exposition' as a byword for' info-dumping'. However, information sharing is when two personalities are sharing information that is already known for the convenience of the user.
A good representation shows important historical detail without being forged or falsified. This is Stephen King's classical nightmare novel The Showing, a powerful example of the good kind. King's opening gives us a lot of personality and scenery without informationumping. The King gives us a show of characters in dialog. We' re also getting a typesetting show.
So King uses the scenery and personality to anticipate the horrifying events in his film. When using the exposure dialog, make sure it completes the information that is essential for your action. On page two of The Shining we already know that King's Settings is daunting and has been presented to the main protagonists of the film.
In his novels, Columbian writer Gabriel Garcia Marquez combines his own personality and society in a brilliant way. The first installment of his novel Cien Ayños de Solad (translated: One hundred years of solitude) starts with a historic exhibition: Notice how skilfully Marquez combines his character's past (and the foreboding of his tragic future) with the story and settings.
Use the present and past of the exhibition protagonists (and even the future) to fill in historic detail of their life and blend it with the descriptions of their attitudes. It is important to create an everlasting environment. The disastrous, Pulitzer-winning novel by Toni Morrison about the atrocities of enslavement, lover, begins with a clear depiction of the scene.
Marrison uses personalization (the writing technology that gives an unlived subject a human-like character) to show the ambience of its surroundings. Just like Marrison, you make your exposure full of personality. Present the ambience of your environment, the memory, fear or pleasure it has for your people. If possible, show the evolution of the people. The decisions and interaction your personalities make with others as your storyline evolves should provide important information about them to them.
Split a character's perspective in a single section, not in an entire sequence. Atwood' s novel Cat's Eye recounts the tale of an Italian painter, Elaine Risley. In Atwood' s work, she creates lively flash back sequences that show the nature of her character. However, if the novel moves from the recurrences of the past to the older Elaine, there will be more exhibitions.
Exposure example works because the introspection in these''contemporary Elaine'' parts is in contrast to the lively representation in Elaine's early years. Mix and match sequences with shorter exhibits that consolidate information about your characters' personality. Pointing gives the readers specific examples. However, a well-written description can summarise and reinforce or expand the character's nature.
Numerous examples of exhibitions show how to open a novel with a succinct portrayal of a central occasion that forms the spine of history. Especially in crime novels, the writers often open themselves up by depicting mysterious, tragic occurrences that the remainder of the novel tries to elucidate. That is the case in Jeffrey Eugenide's novel The Virgin Suicides.
Young people living opposite the gorgeous Lisbon nuns tell the tale in the plurality of the first character as they (now older) try to understand the teenaged sisters' suicide. The suicide of the nuns is described in the first paragraph: It is this exposure to darkness that gives us the key information:
One group of nurses, the protagonists of the whole thing, all committed suicide. Nevertheless, we still have the same questions that confuse the novel's narrators: As with eugenides, use the exposure to show the readers an early experience that is critical to your history.