Ebook CopyrightCopyright Ebook
Protecting an eBook by copyright: Mystics and Facts (FOR AUTHORS)
You know what the differences between DRM, ISBN and copyright are? However, if copyright is an area that makes you wrinkle, continue reading: we are talking about different data types, different types of copyright, whether you have to or not. In the first place: If you do something, a poet, a book, a work of artwork, you own your own IPR.
There is nothing you have to do to obtain the right to your own works: they are, of course, yours. But you still need to think about how to copyright protect an eBook when it comes to safeguarding your work: you need to have a way to prove that the eBook was by you.
Anyone who modifies, sells, or uses your proprietary materials in any way without your notice is in violation of copyright laws and commits a violation. However, if you are considering conventional publication or have inadvertently mistakenly sacrificed your core permissions to a self-pub sharks and are trying to combat them and get your permissions back, it might be an advantage to sign up for copyright - more on this later.
When you buy a product, you do not have the right to copy or modify it. The ISBN is valid for the actual copy of a work and is not protected by copyright: The ISBN is essentially a catalog number that can be used to determine a particular size or print run of a circulating work.
The purchase of an Intellectual Property Number (ISBN) does not grant your right, nor do you need one to demonstrate that the product was created by you. Let us be honest: nothing is ever truly global, and it is no different when it comes to copyright.
You are interested in national law, visit this Wikipedia page. Autoprotect your literature in the UK: IPR clarifies that you do not have to do anything to safeguard your IPR. They' even alert you to paying someone to offer you undesirable cover!
This means that you do not need to be registered with the UK Copyright Service, however officially they might appear - this is a privately owned business. You have a better opportunity, however, to protect your work from infringing and to prevent the illegal use of your copyright-protected work if you have a copyright page.
For the EU, they are working to improve global copyright legislation for digitised contents in order to build a single market. We will see how this will affect EU copyright in a few years' time. Prior to 1989, the existence of the copyright mark was decisive for the acquisition of copyright, and it is still the case for works from before 1989.
It was first used in America in 1909. Whilst some businesses let you post without having a copyright page, it is always better to have one. Copyright page is for your own protection: If someone wants to use your IP ('license'), they need to know how to find you!
The copyright page could be as easy as your name (or the name of your publishing house if you have one), the copyright icon and the year: Disclaimer: All right reserved. Nothing in this publication may be copied or altered in any way, whether by means of copying, drawing or by any information storing and retrieving system, without the written consent of the editor.
There are some great instances of how to create a copyright page: an adress where you can be reached, an issue number (it could be the second issue), and of course the names of everyone who has been helping you: writers, front page designers (and the picture holder ), you can even specify the kind in which your copy is posted.
You do not want someone with a similar name to suing you for reputational damage. Or, your textbook is not fictional, but you don't want anyone to use it as a guideline for your own survival and then take you to court if your counsel hasn't worked. While your work may be protected by copyright, there are still things to do with it: The U.S. has some kind of conditions of use in relation to copyright -protected work.
That means that certain parts of a textbook can be used for education use, parodies or comments without prior authorisation. While DRM does protect a copy of a document, it does apply to the actual textbook, not to IPR. The DRM was created to make it harder to illegally copy and share your computer program contents ("piracy") - but it has nothing to do with the protection of your IPR.
When you or your reseller provides your work with DRM coverage, other things can mean: some work cannot be duplicated at all and you can only view it on one machine; some desktop publishing machines allow you to make a certain number of prints. If, for any at all, you are writing under a pseudonym, you may associate the copyright with it.
It is recommended that you use your correct name for better registration security in the US, but it is not necessary as long as you can demonstrate that you are the author. If you enter into a publishing house or distributorship agreement, you relinquish certain permissions. If you register with Kindle KDP, for example, you give up your eBook sales privileges for 90 calendar nights (as long as KDP asks for exclusivity).
A number of publishing houses only ask for domestic print and marketing permissions, but give you the right to distribute your books on an international scale. Be cautious if a trader or retailer demands more than your sale rights: you could do something. Do you have any further copyright queries? We hope we have all your comments on how you can copyright and prevent your books from cheating and infringing, but please write us a note if there is anything we can include or if you have good or bad experiences.
Currently she is writing for PublishDrive, a fast-growing and smart e-book publication plattform designed for global publish.