Create your own Story

Build your own story

A lot of people don't create vision, but it's not hard. All you have to do is create your own personal story. Home-Create Your Own Story @ Your Library. Create Energy Stories. You can add your own stories and pictures, video and audio contributions for inclusion in the gallery.

Story Tree - Create your own story character.

Build your own story

Thy soul is yours. You need a page empty for your plans and aspirations. We are there for you and help you with your daily budgets, from the smallest to the largest one. We are here through the magical of the application and through our great consultants! You' re trying to take charge of your own lives. You' re building your own lives in near-realtime.

Defining your own code, value and luck. So in a nutshell, you're the author of your own story. Together we move forward and give you a wealth of different experience, different ways to finance your projects, such as Hello crowd! and more. Our solution meets your expectations and ideal.

We are at your side, anywhere and whenever you need us, in near-realtime. We' re here for a conversation or a little tweeting. We are here. We' re here for you. Do you need inspirations for your own music? It is our task to find out, so get out of our nest, take our own trip, open your wing and get out.

Have the guts to think it, dare to create it. If you dare to lead your spirit in another direction. Make your own story.

Telling your own story and creating your own label

I' ve been a professional author for over 20 years." There is only one kind of scripture that frightens me: everything about myself. You know I can' stand to write my own biographies. I can help any person or organisation to find their way when it comes to developing a trademark.

When it comes to my own badge? You are in a kind of group meeting and the host asks you all to go through the room and imagine yourself with your name, a short backdrop and one of those fun ice-breaker things (like something nobody else knows about you).

Are you desperately planning what to say and practicing it in your mind (or even taking some notes) until it's your turn, then spending the remainder of the round insulting yourself because you forgot something or wished you'd said it the way the someone next to you did it because it was so great?

It' s tough to tell our own story, and that's because we're too tight. It' nice to stand back and watch someone else's story. If you are writing for a trademark, even if it is one that is very important to you, you can still retain a certain object. If it'?s our own story, why is it so tough to do the same?

For with one’ history one opens oneself to criticism and commentary, and in today’s modern life these things are often not good. It' difficult to tell your own story because it is frightening. You don't have to be intensive or tragic - you can just try to win customers for your freelancer and all you need to discuss is your pro history.

So what if the chief executive doesn't mind that you've unilaterally introduced a big new name? Share your own story and open yourself to criticism; when your career and personality histories intersect, it takes a risk to open up. What is your loss, Heather? We are creative and our values are linked to what other human beings think about us.

This has to be a fairly judged evaluation in many ways, because the only way our product - whether it's texts, fiction, scripts, articles oder blog/social journalism items - will be successful is a visual response to what we write. It is our task as professionals to get someone to believe and act on what we have made.

This means that if we tell our own story, we are losing any prospect that we could have if we told someone else's one. This can create a circuit in which the act of lettering feels stressing. Authors often believe that typing is only imaginative work, even if we are remunerated for it.

Because we have the hunger of the hungry performer or the distracted, unhappy author in mind, it can be hard to see it as a profession. You' ve done customer storytelling so you know what to do. To write your own story, the secret is to be a customer.

If you work for a customer, there are four things you ask them (or help them discover) that form the basis of their brands. Those are the same four things you need to know to tell your story: why you do, what you do, who your audiences are, your ultimate purpose and who you are.

Particularly if you are just beginning out as a freelance or freelance author (and I mean anything under two or three years), you can still develop these crucial bits of knowledg. However, just like a customer's own brands, these four things are your point of departure. What is the basis of your story and why are you recounting it?

Like a customer, you need your own "why": your end is the basis of your work - it's why you get up and turn on the computer and do it. It is different from a target; the "why" is the motivating power behind the target.

Create a premonition or declaration that sets out your policies and your goals for your career, or if that is too sensitive for you, consider it part of your businessplan and make it a guiding principle for your organization. All the audiences you tell your story to will be a little different.

There is the high schools press room you speak to for your careers days, and the start-up chief executive you are hoping to hire you, and the link you can make with the work group. In order to tell the best story, you have to know who to tell it to. Perhaps you can cite Gilmore girl and texts from the 80', or you have to know the lingo and be a pro.

Make an avatar and record everything you can imagine for this perfect character - their background story, where they are and in which buildings they are living. So if you've already posted work, you can look at the statistics to see who your letter is resonating with to get an impression of who your present audiences are, and then you can expand from there or move your letter to get a new one.

So what do you want to accomplish when you tell your story? You will have a history marked by your goals. Some of the best ways to do this are to read a story. For example, if you want to throw a story to a fantasy pub must your story concentrate on your pitch and how you are the best person in the world to type this piece.

Or, if you're working on a new customer land, your story should be focused on your knowledge and abilities. You' d be advising a customer to know who he is in order to create a powerful marque, and then he must remain loyal to that one. In order to create your own genuine contents, you need to know your own trademark.

I know, as a pro author, that the simple response to these four basic issues is sometimes as follows: You mean my crowd? Aim? What's my badge? When you make your way into a company, these responses can guide you through the first six month or maybe even a year. However, if you are serious about being a pro, then responding to these issues is just the beginning.

Next, you have to tell your story. But, in my old public authority job environment, I didn't need a great calling cards (or a website or a really great lift speech) to get new customers. Here out here in the corporate realm of corporate typing, these things are crucial.

When you start to build your own label, there are four specific stages you need to take to make your label a reality and tell your own story. Specify what type of appearance you are looking for, what you are writing about, what your backgrounds or experiences are and what you want to do.

Take it down, measure it and practise it. When you want to have some pleasure with your surgery, find a wing man to "Have you with Ted " you in a happily ever after without stress. At first it'll seem strange, but the more you practise, the better you'll get. I actually wrote biographies in which I noticed that I could credit everything but a biography.

Occasionally your biography is limited by publishing or events policies, but even then you have to do it yourself. There may be different biographies you need for different purposes: the journal in which you have a story, the meeting you speak at, for contributions to other blogues or for your own website.

Folks actually literally scan biographies, so take your lift pitches and type them in writing. Allow your character to show through (but keep in mind, sweet only gets you that far) and talk to the particular public that reads the work. If for example, if your aim is to review foods, then say that in your organic.

Don't just speak about your experiences that have nothing to do with typing foods. Let your biography be self-confident and pro-active. While you may not think you are a "successful" author because you have only released three plays, you don't have enough biography to play down your skills. They need a website to tell their story to humans.

However, you need a professionally run house where they can find you, find out about you and get in touch with you. It' telling your story for you. You' ll need an information page, a contacts page, a page outlining your service or explaining how it can be set up, and a portfolios page showing previous work.

Think again about what you would recommend to your customers. Today we have visiting documents, but also online publishing. This could be a calling note or your Tweeters account, but you should make your contacts clear. Storytelling is what we do for professionals. It'?s much harder to tell our own story.

But to be the best we can be, it's a capability we need to evolve. To learn how to tell your own story is to strengthen your own label, and that can be translated into more or better written appearances or even a fantastic work. Wherever you tell your own story, you will find a whole new underworld.

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