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We' re working with everyone, from the individual performer to the complete group, and we try to find the right musician/band to suit the location. We' re specialised in performing as soloists, duos and trios, which are usually well suited for smaller, gastronomic institutions that want to pay less but don't want to do without great music!
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May God protect the scene: Boston music's undiscovered stars are sovereign booking agents.
dropcap ]C[/dropcap]orporate d-bags, who exchange their passion for the band for their passion for currency, shouldn't be such a big part of the big game. Not one of these individuals, Jason Trefts is part of a burgeoning association of independents booking agents who bring DIA Ethic to Boston tradition.
Independent illegal blind has become one of Boston's best-known booking agents since its founding, with Trefts booking five, six, sometimes seven shows per months under the name "illegal blind" at various locations in the city. He' s in charge of a series of hit shows from locals and travelling groups, among them the Middle East Fuzzstival next week-end (a 15-band, all-day psychological and noise-rock extravagance that is upstairs by morning and downstairs by dark, full of graphic arts and grocery sellers), and current shows like NOBUNNY, Perfect Pussy and this crazy, sold-out Mac DeMarco show last April.
This work has resulted in a full length gig: Booking Fenway Skirt Clubs Hamburg. However, despite the formidable series of achievements Trefts has made, he is the last to pride himself on it - and the last to call himself a "promoter". "He likes the notion of working behind the scene and concentrating exclusively on the good acts.
He has a booking policy based on his own personal and professional musical backgrounds and his own personal teaching and working life. It underlines the importance of knowing how to stand up for themselves in a shop where too many non-musicians work, and how important it is to build a sound art world.
TETRAFT also commemorates the notion of booking and working within a DII ethics framework - something apparently common to several other Boston based independents, most of whom do not work in a central location. Whereas internal books like David Virr at T.T. The Bear's Place in Cambridge and Ryan Agate at Allston's O'Brien's Pub can balance a poor show on Friday with a tough one on Saturday, many independents go the make-or-break line with every show and pay performers from the doors.
However, that does not stop him, Trefts or other independant bookmakers. The man who did a dumb lot of good for Korean folk songs, like building and directing the volunteer-driven Boston Hassle and Boston Counter Cultural Compass with Dan Shea, and doing sound shows every single day, began young.
Sonam Parikh's first look into the booking reflects Potrykus'. Though she favors homes, Parikh book her just proportion of locations as the wonder behind Fast Apple and Mondays in Charlie's Kitchen. Their thoughts on base ethics are reflected by a large number of other freelance writers working in Boston, though few are as widespread in the DIIY community as they are - someone known by artists and showgoers as Sonam, who does not need a last name to be recognised for what she has done.
"One thing in my whole lifetime, and the one thing that always keeps reminding me who I am and who my aims are, is to be at shows and book shows," says Parikh, explaining how she became so famous in the city. Recently she has been more concerned with the domestic booking community, but is unshakable in her association with Boston and the involvement she has found in the musical world.
"I was really fortunate and so many folks in different settings all over America greeted me without a doubt, and I took a really great look at all of them, but Boston has the best musical scenery in the whole wide globe as far as I'm concerned," says Parikh. McGregor was immediately hit by the same sequence when he moved to the city six years ago.
One of Boston-born booking companies, promoters and organizers, Eye Design began as a passion for McGregor, who was new to the town and fascinated by the flourishing neighborhoods' independently minded artistic and musical world. Beginning with an understanding of an concept and recording at the Eye Design shows, it developed into a relationship with McGregor employee Eric Donoghue and finally Great Scott'smonthly artist and musical concept, Treat Yo' Self!
Eye Design has extended from there to include venues in several rooms around Boston and Cambridge, such as O'Brien's and Cambridge's Middlesex Lounge. Citing one of her Treat Yo' Self! works as an outstanding reminder of the Halloween trick or Treat Yo' Self, McGregor turned Great Scott into a spookhouse of costume groups, life illustration, individual horror/zombie jewellery and artwork and comics.
This kind of creativeness and the readiness to provide a room for locals shows the influence that booking an event location can have on the naming. As Eye Design, the partnering company behind PWIMORDIAL SUUNDS has not aimed to become an independant bookseller, although it is also one of the best-known companies in eastern Massachusetts; "PWIMORDIAL SUUNDS Presents" on a leaflet ensures a sound bill.
Instead, the booking and small recording company began as a "product of boredom" for Noah Bond: a randomly generated diary about his favourite musician. When he and his associate Spenser Gralla began booking a month -long stay at the Middlesex Lounge, Gralla proposed connecting the blogs with the events.
both in Boston since 2008 and have led their favourite groups to domestic and overseas success, the blossoming domestic stage and the booming and busty houseshows that have influenced all their music. He has also found this kind of backing within the Boston community and is hoping to provide this kind of assistance to other people, whether they are performers or even native people.
Potrykus, like Trefts, Parikh, Gralla and Bond, also attaches great importance to the communal education that goes into the booking of a show. He has familiarised himself with the town and New England in general, and while he considers solidarity, tour groups and other issues when booking a show, the social network is the most important thing.
"Be it unifying the artist, handing out a paper, founding a non-profit organization, or simply hosting shows on a recurring schedule, everyone can add to and take advantage of our vibrant culture," he added, reflecting Trefts' previous open mind. He is credited by Trefts for every show he does for the band he works with.
"I' m really fortunate that the band want to do the shows I put together," says Trefts and still refuses to accept recognition for all the good he did in Boston. Fuzzstival?s second part is an excellent example of what Trefts does for the town.