Best Publishers in the WorldWorld' s best publishers
Comparison of the 2017 versions of the publishers of games
What publishers published the best matches last year? This is the 8th year in a row that we have identified the best and poorest publishers of the year for 12 month, exclusively on the basis of the qualitiy of their 2017 publications. Sellers and users ratings are not included in this ranking; only critics ratings (as recorded in the metascore of each game) are used to rate Achievement.
On the basis of the number of publications in the past year, we have split the publishers into two separate groups. The first group is made up of the largest corporations, each publishing 12 or more different stocks (with metascores) in 2017. Other" medium-sized" publishers, described further down on the page, last year produced between 6-11 different publications.
Publishing houses with 5 or less clear titles are ruled out. We' ve rated these publishers in order from the best overall qualitiy to the lowest, using a four fact calculation: Notice that the metascore averages ( "the first factor") count slightly more than the other two. Please also be aware that the following illustrations do not include any of the popular iPhone and iPod touch titles.
This is how the big publishers on the basis of the qualitiy of their publications will stack up in 2017: Headquartered in Maryland (best known for the Fallout series), Bethesda tends to do well; two years ago it was our best-placed mid-size publishing house. In 2017, however, Bethesda released enough books to make it into our "big" publishing class, where she outperformed her rivals to take first place in our rankings.
Its metascore score was more than six points higher than its 2016 shale thanks to a well-received new Wolfenstein listing, a restart of Prey, a powerful continuation of Evolution Within and various publications in the Elder Scrolls family. Overall, 91% of the company's 2017 product range was rated as positive - the best rating for any publishing house.
Once again, Nintendo published clearer publications than any other publishing house and managed to increase its metascore (and overall ranking) above last year's already remarkable number. It was also the only player to earn over 90 points for three different games in 2017.
This group features new Mario Kart and Super Mario rates as well as our Game of the Year 2017, The Legend of Zelda: Breath of the Wild. With all three of those matches available on Nintendo's new switch consoles, it's a huge success that sold its forerunner, the Wii U, in less than a year.
The Nintendo metascore averages for its switch versions were 80. Zero, as against an intersection of 75. Five for his 3DS matches. Two years ago, Sega was number one to join the mid-sized group the following year and this year it came back to the majors with a greater number of publications (even without the matches of the recently purchased Atlus which will continue to operate as an independent company).
Delayed publication on a computer of the 2009 Bayonetta game was the main attraction of the late launch of the time-honored Sonic Mania in 2017. However, another 2017 Sonic series, Sonic Forces, was much less successfull with critics. Activazion Blizzard bounced up three places on our map by dropping the matches that burdened the result last year.
Focusing on its key competencies - Destiny and Call of Duty - the publishing house received favourable evaluations for 70% of its product portfolio (compared to only 45% in 2016). The Blizzard brand outperformed Activision as usual, with an average of 80 matches. Most of the publisher's matches were included in their evaluations and they only liked a Crash Bandicoot Comilation.
With a new high-definition remaaster of the decade-old Okami and a powerful new Resident Evil franchise, Capcom was able to turn a 2016 movie around and increase its 2017 score by over five points. However, for the first ubisoft is not the last one on our large publishing house lists since 2015.
Fractured But Whole and the semi-successful (at least point-exact) start of a new real estate in the shape of the combat pack For Honor. This year Sony dropped three places in our ranking, although it increased its metascore by four points on a median. While still a PlayStation-aware, sole publishing company (after exiting the Vita franchise in 2015), Sony launched one of the best verified new iPods, Horizon Zero Dawn.
And, the organization increased its positive ratings (i.e. those with verdant metascores) from 43% in 2016 to over 50% last year. Last year Square Enix published more matches than any other publishers. In comparison to the previous year, the number of places dropped by six - the largest decline for all large publishing houses.
The Square Enix metascore dropped over three points, and the positive score dropped from 69% in 2016 to only 49% last year. Square Enix Collective, the publisher's recently started independent entertainment campaign, also suffered a second year of decline after a highly encouraging launch in 2016. The 2017 collective's publications (such as Oh My Godheads, Deadbeat Heroes and Black The Fall) all received frustrating criticism, except for one (Children of Zodiarcs).
Of the 12 players on our "big" publishing lists, only two published negative rated titles last year. Bandai Namco was one of them, releasing a UXO in the shape of a Power Rangers burned beat-em-up, which got a metascore on two different occassion. However, Bandai increased its overall performances over the previous year by increasing its share of matches with environmental metascores from 39% to 51% and increasing its overall averages.
Last year's ranking ranked Koei Tecmo among the mid-sized publishers rather than the large ones, but the ranking was about the same as this year: near the bottom. Publishers have slightly increased their metascore and eliminated all negative rated publications, although their share of rated titles has fallen from already low 25% to only 20%.
The US subsidiary of Nippon Ichi Software closed last year's ranking near the centre of our mid-sized group, but thanks to an increase in the number of publications and a decreasing metascore this year, it is at the bottom of our large publishing group's ranking. In 2017, NIS had more negative rated items (three) than all other big ones.
The episode adventures specialists Telltale was voted the second largest publishing house just two years ago. He dropped to 9th place last year, and this year he is completing his slides by being the last to be placed tot, although his metascore hasn't changed much. Last place is mainly due to the shortage of good publications: only 12% of the publications were rated positively last year, which is by far the smallest pass rates of all large publishers.
The Telltale publishing house was also the only one not to exceed the 80s in 2017. PublisherAvg.Pts. %Pts. %Pts. #Pts. Tot. Pts. In 2016, each of the "medium-sized" publishers below published between 6-11 different publications. They' are ordered exactly the same way we've ordered the bigger publishers above, with points for the mean metascore, percentage of publications that get ratings up or down, and the overall number of great newsgames.
Title2017 Avg. Metascorevs: The California-based publisher/developer was not listed a year ago, but in 2017 published enough matches - mainly Nintendo switch slots from previously published matches - to make it to this year's rankings, where he took first place with a 1/10th of a point. His top publication was the switch haven of Cave Story+. The number one of medium-sized publishers last year failed to repeat itself at the top of this year's charts (due to a slightly lower proportion of matches with ratings higher than Nicalis), although it had the highest metascore of all publishers in 2017.
paradox also released extensions and harbours for its popular cities: The best match last year was Pillars of Eternity's consoles. Well-known for his good humour, the Texas-based publishers had six places in our mid-sized table in 2017 from a year ago, although they did increase their number of released matches.
Devolver's top performing artist was his first switch launch, Enterprise the Gungeon. Warner' s Gamepublishing Divison improved by one place despite a decline in the mean metascore compared to the previous year. Approximately half of the matches got favorable feedback, headed by DC Comics combat team Injustice 2. There are also matches that follow on from the movies The LEGO NINJAGO Movie and The LEGO 3.
While EA usually ends up in our big publishers league table (it was even number 1 on this league table a year ago), a reduced publication in 2017 resulted in a downgrading of our mid-sized publishing group. On the subject of declines: EA's metascore mean dropped sharply last year, and the critical score dropped from 79% to only 48%.
EA's best match last year? Although Daedalic's 2017 statistics were fairly close to 2016 (with the exception of an increased number of stocks released last year), the company even increased four places on our charts, mainly due to lower levels of competitors last year. Daedalic's most successful publication in 2017 was Shadow Tactics:
Take Two sometimes ends up in our big publishing charts, but a year ago it was also found here among the medium-sized businesses, where it was at number 4. His 2017 shale was smaller and less glossy, with an XCOM 2 extension package as a highpoint. However, 2018 could be better for the business as its normally high-profile Rockstar Games division will have its first big new launch in several years (Red Dead Redemption 2 ) this autumn.
In 2017, Microsoft lost nine places in comparison to a year ago and was unable to bring forth any new, highly attractive objects. Although the firm released some high-profile tracks, even this group seemed old, as it contained a few Forza racing drivers and another Minecraft harbor (for the switch). During its first full year under its new name, the former Nordic Gaming corporation did not publish really horrible game.
However, only one in four in 2017 was rated positively. Not listed a year ago, the Bay Area's Maximum Game seemed to require minimal efforts in the selection of matches for publication in 2017. This was the only publishing house with a metascore averages in the reds (under 50).
Twothirds of the publications were rated as negative by reviewers, among them two different tracks with an unfathomable 27 (Troll and I and Road Rage). Maximum's only positive rated project in the last year was the PS4 release of The Golf Club 2. Check out our former game publishers' rankings: Read more about our Best of 2017 coverage: